The Mad, Mad, Mad Comedians (1970)

Uma comédia sobre as alegrias e os embaraços do sexo adolescente, mas principalmente sobre os embaraços!

Toda a gente consegue ser impopular, mas é preciso um mestre como John Cleese para se ser realmente irritante. O segredo, diz ele, é fazer a outra pessoa acreditar que é completamente sem querer e este é apenas o primeiro dos muitos truques que ele nos ensina! Com a ajuda dos companheiros dos Monty Python Michael Palin e Graham Chapman, de Connie Booth de Fawlty Towers e de goodie Tim Brooke-Taylor, Cleese demonstra a sua incomparável habilidade em manter as suas vítimas à temperatura ideal, mesmo um grau antes de as pôr a ferver!

Clips from Da Ali G Show with unaired sketches from the show.

Amnesty decided not to present a benefit show in 1978 in order to consider how to make better use of the performing talent so favourably disposed to assist it in raising funds. Peter Luff left Amnesty in 1978 and the organisation's new fund-raising officer, Peter Walker, was deputed to work with Lewis on reconfiguring the show to raise more money and greater awareness of Amnesty. Lewis proposed to Cleese that in addition to the comedy performances the show should feature some contemporary rock musicians. Cleese delegated this responsibility to Lewis who recruited Who guitarist Pete Townshend to perform, as well as New Wave singer-songwriter Tom Robinson.

Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.

Some unknown source has interrupted all television transmissions around the world. In place of the regular broadcasts, a lineup of extremely tasteless programs and commercials have been substituted. Included in the mix are such show as The Shitheads, The Charles Whitman Invitational, and commercials for a number of improbable products.

Winner of the first video Grammy Award, Michael Nesmith (The Monkees) wrote and starred in Elephant Parts, a collection of comedy and music videos using money he inherited from his mother, the inventor of Liquid Paper. Elephant Parts is one hour long and features five full length music videos, including the popular songs "Rio", and "Cruisin'", which featured wrestler Steve Strong and Monterey-based comic "Chicago" Steve Barkley. An off-beat collection that is very entertaining to view while in an altered state.

Recording of Amin Jensen's critically aclaimed comedy stage show from 1999.

Large II "released on DVD in a special issue in a nice box which also contains a book, in the form of" Life Is Large "- a brutally honest, touching and humorous autobiography

Guy Caballero and Edith Prickley try to persuade the FCC to renew SCTV's license.

This behind-the-scenes special features cast members musing over public television's beloved "The Red Green Show," the wacky sketch series revolving around the wit and wisdom of outdoors-man, handyman and populist philosopher Red Green (Steve Smith). Backstage anecdotes, rare outtakes and cast commentary shed light on the smart writing and spot-on acting that helped make this unlikely show such a long-running success.

Eli and Mariano Show

Comedy troupe The State hosts a Halloween special on CBS.

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

In his special, rising star Nick Kroll ("The League," “Date Night,” "Get Him to the Greek") blows the doors off the time-honored one-hour format by weaving in hilarious short films, as well as appearances by his infamous characters Fabrice Fabrice, Bobby Bottleservice, El Chupacabra and Oh, Hello (featuring John Mulaney, “COMEDY CENTRAL Presents” and “Saturday Night Live”). This seminal comedy event marks the arrival of an exciting new voice in stand-up and is definitely not to be missed.

The show will celebrate not only their sketch characters, but also, for the first time, will introduce the real Harry and Paul, who appear almost live on stage as themselves as they take questions and introduce their favourite sketches from programmes including Harry Enfield and Chums, Harry and Paul and Harry Enfield's Television Programme. These include Kevin Patterson, Tim Nice-But-Dim, Wayne and Waynetta Slob, Dragons' Den, The Scousers and Smashie and Nicey. Harry and Paul also take it in turns to play the host of celebrities that have joined them to celebrate their anniversary, such as Mark Rylance as Thomas Cromwell from BBC Drama Wolf Hall; Rob Brydon, Ricky Gervais, Prince Charles, Miranda Hart, Stephen Hawking, Boris Johnson, Melyn Bragg and Jimmy Carr as they take viewers on a trip down memory lane. There's also a very special guest appearance from a Harry and Paul favourite.