Indian Rights for Indian Women (2018)

Ambientado nos Estados Unidos dos anos 50, durante os primeiros dias de transmissões jornalísitcas, o filme conta os conflitos reais entre o repórter televisivo Edward R. Murrow e o Senador Joseph McCarthy. Desejando esclarecer os fatos ao público, Murroe e sua dedicada equipe desafiam seus patrocinadores e a própria emissora para examinar as mentiras e amedrontadoras táticas perpetradas pelo Senador durante sua "caça às bruxas" comunista.

Os mortos estão voltando à vida fora da reserva isolada Mi'gmaq de Corvo Vermelho, exceto por seus habitantes indígenas que são imunes à peste zumbi. Traylor, o xerife tribal, deve proteger a namorada grávida de seu filho, refugiados apocalípticos, e reservar riff raff das hordas de cadáveres brancos ambulantes.

A partir da polêmica decisão da Suprema Corte de Justiça americana concluindo que uma corporação, aos olhos da lei, é uma "pessoa", são analisados os poderes das grandes corporações no mundo atual. A exploração da mão-de-obra barata no Terceiro Mundo e a devastação do meio ambiente são alguns dos fatos explorados, que entrevistam presidentes de corporações como a Nike, Shell e IBM, além de Noam Chomsky, Milton Friedman e Michael Moore.

Um drama sobre uma família maori em Auckland, Nova Zelândia. Lee Tamahori conta a história da forte vontade de Beth Heke de manter sua família unida durante os períodos de desemprego e abuso de seu marido violento e alcoólatra.

Isabella está à espera do marido que está retornando aos Estados Unidos após uma conferência, mas, antes de desembarcar, Anwar El-Ibrahimi é retido por autoridades do governo e ninguém o encontra. Corrine Whitman, que investiga a morte de cidadãos americanos em um atentado terrorista, desconfia que ele esteja envolvido com um grupo perigoso no Egito, seu país natal. Anwar é levado para fora dos Estados Unidos, onde passa a ser torturado com o objetivo de revelar as informações que sabe.

Conheça a luta de comunidades minoritárias da Nova Escócia, que enfrentam as autoridades contra os efeitos letais dos resíduos industriais.

Interviews and archival footage profile the life of Dennis Banks, American Indian Movement leader who looks back at his early life and the rise of the Movement.

In an historic final interview, filmmaker and music promoter Aaron Russo goes in depth on the insider-knowledge given to him by a member of the Rockefeller family. Russo was told– prior to 9/11– of plans to stage terror attacks, invade foreign nations, and kickstart a high-tech police state control grid that would track the populations’ every move with implantable RFID microchips. This information-packed presentation is filled with never-before seen footage. Throughout the film, Alex Jones breaks down the latest activities of the New World Order and how it ties into what Russo predicted.

Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight.

The Masters of Terror details the execution of the September 11th attacks and the ensuing whitewash, the cashless society control-grid, implanted microchips, mind-control, militarization of police, concentration camps, foreign troops massing on US soil, the USA Patriot Act, and Homeland Security taking over the states.

Steal This Film focuses on Pirate Bay founders Gottfrid Svartholm, Fredrik Neij and Peter Sunde, prominent members of the Swedish filesharing community. The makers claimed that 'Old Media' documentary crews couldn't understand the internet culture that filesharers took part in, and that they saw peer-to-peer organization as a threat to their livelihoods. Because of that, they were determined to accurately represent the filesharing community from within. Notably, Steal This Film was released and distributed, free of charge, through the same filesharing networks that the film documents.

When gang leader Rob Brown is sentenced to prison for a fifth time, he must confront his role in bringing violent drug culture into his beloved American Indian community in northern Minnesota. As Rob reckons with his past, his seventeen-year-old protégé, Kevin, dreams of the future: becoming the most powerful and feared Native gangster on the reservation.

Alex Jones exposes the problem-reaction-solution paradigm being used to terrorize the American people into accepting a highly controlled and oppressive society. From children in public schools being trained to turn in their peers and parents, to the Army and National Guard patrolling our nation's highways, Police State: The Takeover reveals the most threatening developments of Police State control

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

The territory of Akwesasne straddles the Canada-U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases - a right established by the Jay Treaty of 1794 - Kanien'kéhaka protesters blocked the international bridge between Ontario and New York State.

In 1937, a young First Nations (Canadian native) girl named Ashtecome is kidnapped along with several other children from a village as part of a deliberate Canadian policy to force First Nations children to abandon their culture in order to be assimilated into white Canadian/British society. She is taken to a boarding school where she is forced to adopt Western Euro-centric ways and learn English, often under brutal treatment. Only one sympathetic white teacher who is more and more repelled by this bigotry offers her any help from among the staff. That, with her force of will, Ashtecome (forced to take the name Amelia) is determined to hold on to her identity and that of her siblings, who were also abducted.