The Masterpiece That Almost Wasn't (2008)

Após a máfia matar sua família, o jovem Vito foge da sua cidade na Sicília e vai para a América. Vito luta para manter sua família. Ele mata Black Hand Fanucci, que exigia dos comerciantes uma parte dos seus ganhos. Com a morte de Fanucci, o poderio de Vito cresce, mas sua família é o que mais importa para ele. Agora baseado no Lago Tahoe, Michael planeja fazer incursões em Las Vegas e Havana instalando negócios ligados ao lazer, mas descobre que aliados como Hyman Roth estão tentando matá-lo.

Don Michael Corleone está envelhecendo e, com a ajuda do sobrinho Vicente Mancini, busca a legitimação dos interesses da família, em Nova York e na Itália, antes de sua morte. Mas seu protegido não está só interessado em parte do império da família. Ele também deseja a filha de Michael, Mary.

Em Las Vegas, onze homens tomam parte de um fantástico plano de assaltar cinco cassinos ao mesmo tempo, durante a virada do ano. Tudo parece perfeito, mas algo acaba saindo errado.

Rapaz com aspirações a escritor resolve sair da casa dos pais e ir morar com sua paixão secreta, um policial. O casal gay terá de enfrentar os preconceitos e também as tentativas de ajuda das famílias, enquanto lutam para fazer o relacionamento funcionar.

When given keys to a mansion for the weekend, two friends decide to make a film but end up throwing a huge party and trashing the house. Now they race to get the "money shot" and finish their film to pay for all the damages done.

An autobiographical short film by Werner Herzog made in 1986. Herzog tells stories about his life and career. The film contains excerpts and commentary on several Herzog films, including Signs of Life, Heart of Glass, Fata Morgana, Aguirre, the Wrath of God, The Great Ecstasy of Woodcarver Steiner, Fitzcarraldo, and the Les Blank documentary Burden of Dreams. Notable is footage of a conversation between Herzog and his mentor Lotte Eisner, a photographer. In another section, he talks with mountaineer Reinhold Messner, in which they discuss a potential film project in the Himalayas to star Klaus Kinski.

An Italian movie crew goes to London to make a documentary about a murder case that took place a few years before.

Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers.

Directors Stephen Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them.

The life and legacy of Marlon Brando and how he changed acting.

A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.

Panning shot of a room while a group of people discusses film while eating at a table.

"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.

The movie makers are filming the next installment of the western serial "Get Your Man". The movie's leading man wants his stunt double to do the next dangerous stunt. Purely by accident, a hapless, cross-eyed aspiring actor named Joe Magee ends up doing the stunt perfectly. He ends up doing dangerous stunt after stunt, all by accident, that fit the movie so perfectly that the movie's leading lady wants him in the picture. The exasperated director finds that getting Joe to do the stunts on command is an entirely different story.

A retrospective on the 1969 classic "Butch Cassidy and the Sundance Kid," its impact on the careers of the filmmakers and cast, and how the film made a distinct impact on the Western genre.

A documentary showing Norman McLaren working on the hand-drawn sound process he uses for his short film, Loops.

Ao viajar para Nova York, Elena segue o sonho de se tornar atriz de cinema e deixa no Brasil uma infância vivida na clandestinidade, devido à ditadura militar implantada no país, e também a irmã mais nova, Petra, de apenas sete anos. Duas décadas depois, Petra, já atriz, embarca para Nova York atrás da irmã. Em sua busca Petra apenas tem algumas pistas, como cartas, diários e filmes caseiros. Ela acaba percorrendo os passos da irmã até encontrá-la em um lugar inesperado.

A bartender wants rid of an obnoxious drunk but not until the drunk has left a decent tip. So the bartender tells the story of two mobster families, the Minetti's who work out of an Italian restaurant in the East San Fernando Valley, and the Mulroney's who work out of an Irish pub in the West San Fernando Valley. Mob war breaks out when one of the Minetti "boys" stiffs Big Paddy's daughter on her tip. We soon see why these hoods are called very mean men

The story of three men with a shared dream: James Bond franchise producers Albert R. Broccoli and Harry Saltzman, and Bond creator and author Ian Fleming. It’s the thrilling and inspiring narrative behind the longest running film franchise in cinema history, which began in 1962.