Coplas mecánicas (2018)

The everyday life of accountant Levante, his family and the other people of a small town in the Tuscan countryside is taken by storm by the serendipitous arrival of five beautiful flamenco dancers from Spain.

É o primeiro filme sobre o fenômeno da cultura pop que é o Daft Punk. O documentário revela uma dupla de artistas em uma busca permanente por criatividade, independência e liberdade. Entre realidade e ficção, magia e segredos, futuro e reinvenção, Os Robôs construíram um mundo único. O filme combina gravações inéditas e raras com entrevistas exclusivas com seus colaboradores mais próximos.

Poppy (Sally Hawkins) é uma jovem professora de escola primária, e uma otimista incorrigível que dificilmente se chateia. Divide um apartamento com Zoe (Alexis Zegerman) sua melhor amiga e confidente. Poppy tem o dom de aproveitar ao máximo a vida. Determinada a aprender a dirigir, ela encontra-se com Scott (Eddie Marsan), um instrutor ansioso e perturbado, que testará todo o bom humor de Poppy.

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.

Martha (Marthe Keller) vive sozinha de frente para o mar em Ibiza e sua vida começa a mudar quando surge uma amizade inesperada entre ela e Jo (Max Riemelt), um músico de 20 anos que sonha em ser contratado como DJ na famosa boate berlinesa Amnesia.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

Caco is a proud, handsome man, head of a family, and very powerful in the local community. Yet he has been torn to pieces by the death of his beloved daughter. He constantly visits her grave, weeps silently at her photo and has transferred all his wildly protective love and attention onto his mentally challenged nephew, Diego. It seems that Diego's father, Caco's brother, is in hiding after having killed a man from the Caravaca family, who are equally powerful in the community. They are looking for vengeance and have come to Caco for justice. When he refuses to betray his brother, the Caravacas grow impatient. When they realize they are getting nowhere, they threaten to kill Diego. Despite his fierce pride, Caco eventually realizes that the cycle of killing and revenge must be broken. But how can he achieve this and protect everyone he loves?

Live performance of the album Tubular Bells II at Edinburgh Castle

Live performance of the album Tubular Bells III at Horse Guards Parade London

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

Flamenco, Flamenco puede considerarse el máximo exponente de la particular y personalísima forma de realizar cine musical de Carlos Saura, y sin duda, permitirá a los espectadores de todo el mundo disfrutar de nuestro cine y nuestro arte a través de música, baile, y cante de incomparable belleza.

His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.

In the not so distant future, the war on drugs is considered a failure. Prohibition has ended. A group of friends risk their relationships and sanity, to create the perfect new drug.

This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.

'Blip Festival: Reformat the Planet' is a feature length documentary which delves into the movement known as ChipTunes, a vibrant underground scene based around creating new, original music using old video game hardware. Familiar devices such as the Nintendo Game Boy and Nintendo Entertainment System are pushed in new directions with startling results. Using New York as a microcosm for a larger global movement, 'Reformat the Planet' maps out the genesis of the first annual Blip Festival, a four day celebration of over 30 international artists exploring the untapped potential of low-bit video game consoles. With floor-stomping rhythms and fist-waving melodies, trailblazers of the ChipTune idiom descend upon Manhattan to pen a new chapter in the history of electronic music.

During a walk through the forest, a woman reflects on life and memories.

"Chumbo" é o segundo projeto da colaboração entre Bruno Cunha, Xavier Braun e Kino Lopes, seguindo "A Aranha tem uma Mosca Dentro da Cabeça". O trabalho parte das ruínas da construção do projeto iniciado em 1973 pela Novacap que acomodaria a transferência da "Faculdade da Guerra" - formalmente nomeada como "Escola Superior de Guerra" -, do Rio de Janeiro para Brasília. A nova unidade tinha como intenção de ingressar a Faculdade de Guerra na esfera acadêmica do Distrito Federal ao instala-la nos redores da Universidade de Brasília. No plano sonoro, a edição parte da desintegração de um violão. Produção do selo musical "Dobradiça Enferrujada Discos".

A Life in Waves explores the life and innovations of composer and electronic music pioneer, Suzanne Ciani.