Flamenco Flamenco (2010)

Uma garota chamada Mirabel Madrigal cresce como o único membro não mágico de sua família, que vivem escondidos em uma vibrante casa encantada nas montanhas da Colômbia.

The everyday life of accountant Levante, his family and the other people of a small town in the Tuscan countryside is taken by storm by the serendipitous arrival of five beautiful flamenco dancers from Spain.

Um ladrão inglês precisa da ajuda de uma dançarina eurasiana para conseguir o roubo perfeito. Mas mesmo os esquemas mais fantásticos, mais infalíveis, o tiro perfeito, acabam saindo pela culatra.

Poppy (Sally Hawkins) é uma jovem professora de escola primária, e uma otimista incorrigível que dificilmente se chateia. Divide um apartamento com Zoe (Alexis Zegerman) sua melhor amiga e confidente. Poppy tem o dom de aproveitar ao máximo a vida. Determinada a aprender a dirigir, ela encontra-se com Scott (Eddie Marsan), um instrutor ansioso e perturbado, que testará todo o bom humor de Poppy.

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.

Caco is a proud, handsome man, head of a family, and very powerful in the local community. Yet he has been torn to pieces by the death of his beloved daughter. He constantly visits her grave, weeps silently at her photo and has transferred all his wildly protective love and attention onto his mentally challenged nephew, Diego. It seems that Diego's father, Caco's brother, is in hiding after having killed a man from the Caravaca family, who are equally powerful in the community. They are looking for vengeance and have come to Caco for justice. When he refuses to betray his brother, the Caravacas grow impatient. When they realize they are getting nowhere, they threaten to kill Diego. Despite his fierce pride, Caco eventually realizes that the cycle of killing and revenge must be broken. But how can he achieve this and protect everyone he loves?

Flamenco, Flamenco puede considerarse el máximo exponente de la particular y personalísima forma de realizar cine musical de Carlos Saura, y sin duda, permitirá a los espectadores de todo el mundo disfrutar de nuestro cine y nuestro arte a través de música, baile, y cante de incomparable belleza.

Gypsy Romeo and Juliet: A boy and a girl from rival families fall in love.

Salomé's story interpreted by a director and a troupe of flamenco dancers.

The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.

An unforgettable concert performance by Diego El Sigala at the Gran Rex Theater in Buenos Aires in April 2011. The concert ended with thunderous applause, 3000 of the audience, filling the legendary theater. A special performance in which El Cigala and his Spanish and Argentinean fellow musicians interpreted the classics of the Argentinean repertoire, such as Las cuarenta, Sus ojos se cerraron and Tomo y limo, and contemporary works such as Garganta con arena, by Cacho Castagni. In addition, it contains four tracks that are not in the album: Tema de Amor, from the soundtrack to the Godfather), San Migueles, El Chorrito and Dos Gardenias.

In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

The documentary is a summary of Paco de Lucía's career, his art, his human category and his life, from his first artistic steps to his last professional steps, which have been marked by flamenco. Numerous testimonies and interviews carried out between 2010 and 2014 are exposed.

Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

"Nueve Sevillas" es un heterodoxo perfil psico-geográfico del nuevo flamenco en Sevilla. Nueve personajes conviven con grandes artistas del flamenco de hoy.

The movement of a bullfighter's body died in America originates a massive concentration of people in an Andalusian people. Owed to the influence of so many persons, all the houses are enabled, even the brothel.

Filmed like a documentary, "Sevillanas" consists of eleven short performances by Spain's most famous flamenco dancers, singers and guitarists. Saura, well-known for his flamenco films ("Blood Wedding," "Carmen"), here provides an in-depth look at the Sevillanas form of flamenco and its dancers.

Documentary based on the figure of Manuel Agujetas (Manuel de los Santos Pastor 1939-2015), mythical cantaor and one of the last representatives of the Flamenco de Jerez school. Essential figure of flamenco.