Must Be Painful (2020)

Ryan e Jennifer são o oposto de tudo aquilo o que chamam de atraente. Pelo menos é nisto que eles sempre acreditaram. Quando se conheceram, aos 12 anos, se acharam repugnantes. Quando novamente se encontraram, na adolescência, eles se detestavam. Mas, quando se encontram uma vez mais na faculdade, Ryan (Freddy Prinze Jr.) e Jennifer (Claire Forlani) deixam suas diferenças de lado e desenvolvem uma forte amizade. Agora, com a ajuda de seus colegas de quarto, eles buscam descobrir o que os homens querem, o que as mulheres desejam e até onde pode ir uma amizade.

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.

In a triptych of overlapping stories, three different French women – a filmmaker, an adulterer and a divorcee visit a small Korean resort town and encounter a flirtatious director, a lovestruck lifeguard and far too much soju.

A profunda insanidade de um homem é exposta quando o mesmo persegue algo em seu apartamento.

Kevin Bacon estrela esta comédia no papel de Nick Chapman, um jovem e promissor ator que acaba de chegar a Hollywood. Para alcançar o sucesso, ele tentará agradar a todos que puderem lhe ajudar a realizar seus sonhos de luxo e da fama. Mas o sabor do fracasso lhe ensinará uma dura lição.

Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

O vínculo entre pai e filha é ameaçado por questões que não são ditas, e dói porque demoram a cicatrizar.

A very wealthy, but lonely woman is stalked in her home by a violent serial killer.

Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film with no story and no actors, that graphically depicts the reflections of moving light streaks and light flashes from traffic at night. It is set to a piece of jazz music by Herbie Hancock, whose first name was used for the title.

The camera shows us a door handle and the door's striker plate; from this angle, they form a cross. The door opens and in steps someone in a dark trench coat. He approaches a bed in the room, where a shirtless man sleeps.

A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair,

In waning winter light, a doll maker works in his shop, a kerosene lamp beside him, a jumble of dolls and doll parts, whole and broken, surrounding him. There are noises, too: a cuckoo clock chirps the workday's end. The artisan completes a repair and leaves, shuttering the shop from outside. Back inside, whispering begins. What else is in store for the shop's seemingly lifeless denizens?

A young mexican smuggler and a little girl travel illegally on top of a cargo train, called La Bestia, to get to the USA. An injury transforms his perception of the journey.

With their relationship on the rocks, David and Emily move to Halifax to catch a break from the pandemic and their monotonous routine. Upon meeting Emily's best friend Delilah and her local friend Meg, the already shaky groundwork of their relationship starts to fracture.

Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance.

2012: Tempo de Mudança é um documentário que apresenta maneiras de transformar nossa sociedade insustentável em uma cultura planetária regenerativa. Isso pode ser alcançado por meio de uma mudança de consciência pessoal e global e da implementação sistêmica do design ecológico.

In a world where every single person is a clown, a mime escapes a cabin massacre and must find his voice to save the girl of his dreams.