Colonna Continua (2020)

11,000 refugees have been stranded for months in the Idomeni refugee camp on the Greek/Macedonian border. This short documentary is a glimpse of their lives in a forgotten twilight zone, as they wait for the European borders to open.

In 1962 Ernesto De Martino travelled to the South of Italy for his ethnographic research and shot "La Taranta". A study around women who were poisoned by a Trantula bite while harvesting in the fields. The remedy against the deadly poison was a folk dance called Taranta. The women danced the poison out of their bodies with the help of local musicians and priests. Studies around this phenomenon have highlighted that, in the majority of cases, these women were suffering severe mental illness and hysteria due to sexual abuse and poverty. In present-day Italy a similar dynamic has resurfaced, uncovering the stories of groups of immigrant women (mostly from Romania) who were victims of agricultural and sexual exploitation in Ragusa, Sicly. I reapprorpiated the 1962 archival footage to propose a different angle of the story surrounding these women. Not from the point of view of a man who has undertaken to observe them, but from the point of view of a woman from the South of Italy. (FF)

A short piece commissioned by Antimatter Media Art, a "portrait of the artist by the artist", first exhibited as part of Automat compilation. It consists of recycled 8mm footage of Canadian landscapes, mixed materials, ink and film cement. ​ As an immigrant, looking for, and collecting, past images of Canada is a way of imagining a past that I don’t have in this country. The re-writing of the self is produced through the archive of others via associative montage.

This short piece is an autobiographical fable at the cross-section between SCI-FI and memory film. It explores the journey of two dreamers trapped between past and present, between dream and reality. It combines excerpts from an immigration journal, found text and images suspended in a dystopian dark space.

A 16mm hybrid visual poem, at the crossroad between intertextuality and documentary. This film "plays" with images in a mysterious way. In the words of Eugenio Montale, weaving a disappearing and deserted suburban landscape into the fabric of images, sounds, and textures of two far-away lovers yearning for each other.

A train ride through a desolated suburban area. A post-internet visual essay on transition, assimilation and forgiveness. The short consists of layers of 16mm film, found footage, .png files, and internet generated graphics.

Exit / Entrance is a visual and poetic essay on what it is like to be displaced as a person. The protagonist is a painter who wanders the town in which he lives to sketch and paint oscillating between nostalgia and desire to belong.

"Amne Perenne Latens, Anna Perenna Vocor". Hidden in the Eternal Stream, My name is Anna Perenna.