Sara (Gillian White) e Brian (Michael Jai White) estão vivendo uma vida aparentemente perfeita quando um homem misterioso (Rourke) do passado de Sara sequestra sua filha adolescente. Com a ajuda de um xerife de cidade pequena (Russo), o casal corre para salvar sua filha antes que ela seja vendida e desapareça no comércio sexual.
Pigtail loves the winter holidays, but this year, shortly before Christmas, Brother comes into the world, turning everything upside down. Grandmother arrives from the countryside, because Pigtail’s parents no longer have time to take her skating, but Pigtail and her best friend, Mr. Sleeplessness, don’t like the new order. They come up with a plan – to send Brother and Grandmother to the Moon, in a bid to reclaim parental attention.
When it comes to playing the dating game, women do it better.
The “CittàGiardino” centre for immigrants is closing. There are only six teenagers left in the house. They have all arrived from Africa, walking through the desert, or risking their lives by boat across the sea. Now they are there stuck in the Sicilian hinterland, waiting desperately for a visa that might not come at all or a transfer directive. Thus, the days begin to look all the same. Sleeping, eating, and toying endlessly with their smartphones hoping that something might happen in one way or another. And the feeling of being like a trapped animal or a prisoner grows increasingly stronger. But Sahid does not like to wait anymore, idling around, while time slows down excruciatingly. With the help of his friend Farouq he plots an escape plan.
Documentary exploring the origins of the modern Olympic Games by following three athletes from Italy, Greece and Spain (all ancient Greek colonies) as they partake and examine the ancient sporting methods in Greece and two English Olympicks of the 19th century which were the forerunners and inspiration for the modern day Olympics.
Julian goes on holiday with Bo Bear, but wants a peer playmate more than anything. Can green waffles or fantasy magic help Julian make a friend?
O documentário segue a vida do surfista Nathan Fletcher, através da evolução do surf e sua relação com as ondas grandes.
Chanaika (11) threw her violent father out of her family home. After this emotional event, she shows that she doesn't let down easily and now dances in front of a million people during the Summercarnaval in Rotterdam.
This documentary is the result of a series of visits the filmmaker makes over the course of a year to the house of Pierino, a cinephile and a fascinatingly organized man.
Long ago in a faraway land, a young wizard's apprentice named Alerik discovers a pathway under the wall that surround his land to a shining city alive with the magic of Christmas.
Caught between her dreams of a better life, a rich mobster who thinks he owns her and an unstable boyfriend who has just killed a man, Sable must take control of her own life or she may find herself dead by dawn.
When Mickey burst onto the scene in the classic Steamboat Willie, he not only stole our hearts, but went on to bring joy to generations. This collection from Walt Disney Animation Studios celebrates Mickey’s cartoon legacy with favorites spanning nearly a century including Brave Little Tailor, Pluto’s Party, Get A Horse! and more. 13 Short Films: Steamboat Willie, The Brave Little Tailor, Pluto’s Party, Get a Horse, The Band Concert, Mickey’s Rival, Thru the Mirror, Boat Builders ,Mickey’s Trailer, Tugboat Mickey, The Little Whirlwind, Mickey’s Birthday Party, The Simple Things
Vera's 40th birthday is approaching and she's tired of being single. She'e desperately in love with her colleague Frank, but her tired life-coach wants her to lower her standards, lock-on a more resonable guy and get on with her life.
A Blind Hero depicts Otto Weidt's story as told by award-winning journalist and author Inge Deutschkron, who tells the incredible tale of Weidt's efforts to save her and the rest of his employees from the Nazis, including Alice Licht, the love of Otto Weidt's life.
Wawata Topu (Women Divers in Rasua dialect) is an award winning documentary about four generations of fisherwomen striving to make a living in the coastal village of Adara, West Ataúro in Timor-Leste. Their daily lives, their economic practices and their vital concerns, as well as the contradicting discourses and social barriers they face, are shown in this ethnographic portrait that makes visible their critical contribution to the household economies and the fishing community at large. Their underwater dancing takes place in a context of rapid social change, where the generalization of the formal education, the progressive consolidation of western moral values and the potential openness of more attractive livelihoods not linked to the sea, seem to be forging a social negotiation of the household economic strategies initiated by the oldest generation during the 50’s.
Over a period of six years, director James Bluemel and producer Gordon Wilson followed epileptic alcoholic Nigel (37) from Oxford, England, who managed to slip through the net of the welfare system for 66 months. Self-mutilation, alcohol, and childlike delusions mean Nigel is a vulnerable man. In the words of his social worker, "Nigel has been abused financially, sexually, and emotionally for years." She's referring to the days when, while out "in the wild," a man named Robbie took Nigel under his wings. He was like a father to Nigel, while at the same time absolutely unfit for the role of caregiver, especially because he couldn't keep his hands to himself.
Challenged by her step-sister to return home, a young woman hiding from her past in a remote Japanese village is abducted into a fantastic wilderness and pursued by a monster, with only four nights to escape to Tokyo and face her demons.
On 26 September 1928, Karel Capek and President T.G. Masaryk meet in the gardens of Topolcianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Capek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively. "It's a film about two extraordinary men; it's about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.
