Long Live the Queen (1995)

A weekend in the life of a bizarre family in the sixties. Their lives will never be the same after it.

Hans: Het Leven voor de dood (Hans, Life Before Death) is a documentary feature film about the life of the young composer Hans van Sweeden (1939-1963) and those who knew him intimately. The film is about the harrowing life of the musician, poet and actor Hans van Sweeden (1939-1963), who ended his life at the age of 24. Simultaneously, the film offers a poignant portrait of his contemporaries in the turbulent fifties and sixties and the children of the Nazis. It won the Golden Calf for Best Feature Film in 1983. Award of the Dutch film critics, 1983; the Belgian film critics Award, 1984; Best Dutch Documentary 1980-1990. (Wikipedia)

In 1928 in the northern part of the Netherlands, a man has an affair with the wife of one of his friends (who is in jail at the time). Because she abandons her children to move in with him, the police are sent to arrest her. This leads to a dramatic confrontation.

Pupil Abel is the victim of Laura's nasty prank, yet gets accidentally blamed and overreacts. His ma withdraws him from school and gets him a job as lift-boy. But its' a special lift: when he pushes the forbidden green button, it takes him, Laura, Jozias Tump and Maria Klaterhoen to Manhattan. There he's mistaken by a rich bitch who looks like his mother for her long missing son Johnny. When a police helicopter comes to tow the lift cabin, the Dutchmen get back in. It takes them to a Latin American country, Perugona. The new revolutionary leader realizes presidents live about one year, so he gives the job to Mr. Tump, who saved his life. The news coverage attracts Abel's and Johnny's family, in time for an even weirder finale.

Accidentally still in possession of his best friend's pocket knife after they move all the way to a different city, a young boy sets out to return it.

A surrealistic montage set in motion by a tidal wave and incorporating a samurai battle.

Memories split in the space.

A police detective finds himself entangled in the web of the underworld when he falls in love with a nightclub singer accused of murdering a crooked lawyer.

This picture shows an old gentleman seated at his shaving table. The razor is evidently giving him a great deal of trouble...

Word & number gag, no camera.

Insects are tortured in various ways amidst the sounds of screaming.

The gang goes to a circus sideshow to visit Dickie and Spanky's uncle, mistakenly believing he is "The Wild Man from Borneo."

This Oscar-nominated documentary short tracks the shift in the relationship of an individual to his work between the 19th century and today. Focusing on how nails are made, we first see a blacksmith laboring at his forge, shaping nails from single strands of steel rods. The scene then shifts from this peaceful setting to the roar of a 20th century nail mill, where banks of machines draw, cut, and pound the steel rods faster than the eye can follow.

M. Rasta, a high society con man, is accused of a crime he didn't commit.

Familiar objects are transformed into a candy-coated vision of war in this seminal stop-motion short by PES.

Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in this slow, elegant film betray a certain dry humor -- a child devouring the last of a bowl of yogurt and then crying; a cow getting its head stuck in a pail; and a woman singing to herself, accompanied by her snoring husband. Other scenes capture the nomads' hardscrabble lives -- drunken herdsmen in the grips of existential despair, growling dogs, and a camel enduring a rather grim septum piercing. By the end of the film, the family pulls up stakes and herds its sundry four-legged beasts -- camels, cattle, goats, dogs, and horses -- to a more fertile plain. This film was screened at the 1999 Yamagata International Documentary Film Festival.

"In Chakra, I was able to transfer the traditional order of the chakras into a film, starting with the first (lower) chakra and working up to the seventh (top) chakra…" - Jordan Belson

A shy old man works up the gumption to meet a woman on whom he has a crush.

“Papá, os meninos maus da escola roubaram-me a lancheira que tinha o almoço que tu fizeste com tanto amor e carinho.”

The scene opens on a theatrical stage. The magician enters from the wings, and making a bow to the audience, removes his coat and hat and they disappear mysteriously in the air. He then takes a white handkerchief from his pocket, holds it over his knees, and his long trousers disappear, and behold! he is clad in knickerbockers. He next makes a pass with a magic wand and a table suddenly appears before the audience, on which is a large pile of tissue paper. The magician takes up the paper and shakes it a few times and three live geese fly out upon the floor. This is a highly pleasing and mystifying subject.