Scissors (2020)

Na futurística cidade de Chicago, ao completar 16 anos, Beatrice precisa escolher entre as diferentes facções em que a cidade está dividida. Cada uma representa um valor diferente e, ao contrário de sua família, a jovem opta pela facção dos destemidos, a Audácia. Ela então se torna Tris e inicia uma jornada para afastar seus medos e descobrir quem realmente é. Durante essa jornada, acaba conhecendo o jovem Quatro, um rapaz experiente que tem o dom de intrigá-la e de encantá-la ao mesmo tempo.

Balram Halwai (Adarsh ​​Gourav) narra sua ascensão épica e sombriamente humorística de pobre aldeão a empresário de sucesso na Índia moderna. Astuto e ambicioso, nosso jovem herói abre caminho para se tornar o motorista de Ashok (Rajkumar Rao) e Pinky (Priyanka Chopra-Jonas), que acabam de retornar da América. A sociedade treinou Balram para ser uma coisa – um servo – então ele se torna indispensável para seus mestres ricos. Mas depois de uma noite de traição, ele percebe o quão corruptos eles serão para prendê-lo. À beira de perder tudo, Balram se rebela contra um sistema fraudulento e desigual para se levantar e se tornar um novo tipo de mestre.

Um jovem e idealista delegado de polícia é designado para um vilarejo na zona rural indiana marcado por fortes divisões de casta. Ao investigar uma série de sequestros e assassinatos de moças dalits, ele se defronta com uma estrutura de preconceitos e desigualdades que criam uma cultura de violência, corrupção e injustiça. Estimulado pela esposa, ele resolve enfrentar essas atitudes. O artigo 15 da Constituição da Índia proíbe discriminações de casta, religião e sexo. O filme é um suspense policial e político de alto nível, baseado em um caso real, que debate de forma franca e corajosa o tema da violência contra a mulher e das explorações econômicas baseadas em discriminação de casta na Índia.

Às margens do rio Ganges, na Índia, quatro pessoas enfrentam preconceitos, a rigidez dos padrões morais e o sistema de castas em meio a tragédias pessoais.

No Japão do século 19, um jovem samurai que se apaixona por uma garota de fazenda deixa sua casa para começar uma nova vida. Ele tem que fazer um balanço de sua nova vida quando é posto à prova e ordenado a matar um traidor que por acaso é seu amigo mais querido.

A group of college students gets entangled in the scheme of a fledgling caste outfit that wants to turn into a political party.

Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance. The lovers dare to go against societal norms and battle all odds for the sake of love.

A fourteen year old Dalit (lower caste) boy in rural India is killed for writing a love letter.

A music shop owner falls in love with a girl from a circus troupe that visits his village, but caste and class stand in the way.

A state topper from a lower caste goes missing after an upper caste cop picks him up for questioning. What has happened to him?

No primeiro longa narrativo de Shyam Benegal, o filho imprestável de um senhorio ausente é enviado para supervisionar as terras do pai. Lá, ele e a pobre governanta Lakshmi viram amantes, iniciando uma série de complicações devastadoras.

Vaidehi belongs to an orthodox Brahmin family and falls in love with Sankarapandi who is from a different caste. Their love is disapproved by her father but is accepted by Sankarapandi's family.

Casteism and racism are not stories from remote past. In Indian society, these evils take a peculiar shape at the intersection of 'class'. "Kathrika" features the happenings inside a beauty salon, giving sneak peak to the ugly side of discrimination in our times.

Circa British Rule in India, a man vows to make his only surviving son, Narayan, alias Nani, a Brahmachari to atone for the deaths of five of his children. He takes this child to a remote village in Karnataka, South India, where he leaves his 11 year old son in the care of a learned Archarya, Udup Pandit. Here Nani gets to meet two other disciples of the Archarya, as well as his widowed daughter, Yamuna, and another male by the name of Shrikar Upadhyay, who also teaches the British how to read and write in Hindi. The Archarya goes away for a few days, and when he returns nothing is the same anymore. His daughter is pregnant, the villagers are all set to remove her from the village, they are also angry with him for refusing Yamuna to follow the traditional way of a Hindu widow.

First OVA-Adaption of the japanese novel written by Rieko Yoshihara. On the planet Amoi the society is divided into different classes. The two main protagonist's are Iason Mink from the highest-class and Riki his slave.

Two people from different caste start to fall in love but after their parents not allowing them to stay together, they run away.

Annakodi (Karthika) falls in love with Kodiveeran (Lakshman Narayan), a lower caste man in a rural village. Meanwhile the evil local moneylender a womaniser has a son Sadaiyan (Manoj K Bharathi) who is impotent but wants to marry Annakodi and take revenge on her for spitting on his face. Things take a turn, the lovers are separated and Sadaiyan marries Annakodi, and his lecherous father lusts after her.

In rural South India, 15 year old Vanaja goes to work for the local Landlady in hopes of learning Kuchipudi Dance. Initial chemistry with the Landlady's son turns ugly, pitching her into a battle of Caste and Animus.

Narayanappa, a Madhwa Brahmin man, dies in the Agrahara of the village Durvasapura. As per Madhwa customs, his last rites must be performed at the earliest. However, due to Narayanappa's rebellious actions in life, which included eating meat, consuming liquor and marrying a prostitute, there is disagreement amongst the Brahmins of the village as to who will perform his rites.

Sivaraman belongs to a low caste and is a cobbler by profession. He was orphaned as a little boy and has since been brought up by a couple belonging to the lower caste. A trip to the 'agraharam' brings back memories of his childhood and he realises that he is in fact a Brahmin and the son of the head priest at the temple. Wishing to help his real family while at the same time unable to forget the parents who adopted him, he shuffles between the two vastly different worlds. Maheswar, a lower caste woman, waits for him back home while Gayatri falls in love with him in his new life.