Guernica (1978)

Trabalhadores atravessam o portão da fábrica Lumière para deixarem o local, seguidos por uma carruagem puxada por dois cavalos. Foi exibido em 22 de março de 1895, no Salon indien du Grand Café, quando Louis Lumière fez pela primeira vez uma demonstração pública de seu cinematógrafo. Pode ser considerado como o primeiro filme a ser projetado em público e originou 3 refilmagens dirigidas pelos próprios Lumière.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Um passeio na agora demolida IRT Third Avenue Line (“Third Avenue El”), na cidade de Nova York, em 1953. Filmado em 16mm por D. A. Pennebaker, com música de Duke Ellington, é uma das primeiras obras da carreira do diretor.

A butcher in Paris takes his revenge after his daughter is brutally attacked.

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.

Primeira versão cinematográfica do clássico de Mary Shelley. O louco Dr. Victor Frankestein cria uma criatura que toma consciência de sua monstruosidade. Frankenstein, um jovem estudante de medicina, tentando criar o ser humano perfeito, cria um monstro disforme. Adoentado com o que fez, Frankenstein é consolado por sua noiva, mas em sua noite de núpcias é visitado pelo monstro. Uma luta sonha, mas o monstro, ao se ver no espelho, fica horrorizado e foge. Mais tarde, ele retorna, entrando no quarto da nova noiva e a encontra sozinha.

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

Heather is a shy lady who works in a helpline call centre. When she receives a phone call from a mystery man, she has no idea that the encounter will change her life forever.

An unspoken incident unravels the lives of two families into nightmare, fracturing time and memory.

The Journey of Roy, a 17-year-old Israeli teenager, trying to win the affection of a girl from his class while they both travel in Poland with their school between Holocaust memorials and death camps.

A unique story told by nine different actors which explores the haunting of a conscience by lost souls that won't let go.

In order to demonstrate how to haunt a house, the narrator arranges for Goofy to temporarily be "not living" and selects Donald Duck to be the one whom Goofy's ghost will haunt.

Sofía, a little girl of seven, remembers the day she fractured her arm while being chased through the forest; a story full of fantasy that hides a heart rending moment in Sofía's life.

Trens velozes perturbam o silêncio de uma pequena estação ferroviária. O assobio da locomotiva e o trovão das rodas desaparecem na noite, mas as pessoas ainda dormem. O que elas esperam? O que pode acordá-las?

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

Nulepsy: the pathological need to be nude. An elderly man recounts his life story characterised by the rare, exceptional and inconvenient disease he suffers from.

Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema

Filmed before his feature-length Arrebato, Zulueta’s Frank Stein is a personal reading of horror cult classic Frankenstein (1931), filmed directly from its television broadcast and reducing Whale’s original to only three packed and dizzying minutes, during which the film's sensitive monster evolves at an unusual rate.

The 1975 Super-8 short Aquarium is Zulueta’s first available incursion into the psychodrama—in which the filmmaker dramatises a disturbed state of consciousness—in which appear lyrical passages of the kind that will be made by the fictional experimental filmmaker played by Will More in Zulueta’s 1980 feature Arrebato. (Senses of Cinema)