Bukkake Anal 4 (2021)

Diana (Claudia Koll) é casada com Paolo (Paolo Lanza), mas esta relação parece ser insuficiente para satisfazer o seu apetite sexual e os seus desejos de transgressão. Começa com o dono de uma boutique (Renzo Rinaldi); segue-se um primo veneziano e um extravagante francês, Donatien Alphonse (Franco Branciaroli), que usa o nome em memória do Marquês de Sade. Diana conta estas suas relações ao marido, disfarçando-as de fantasias sexuais, mas um dia ele descobre a verdade.

Pasolini parte da obra de Sade e revisita o episódio histórico da República de Salò para apresentar sua visão sobre o poder, a sexualidade, o conformismo e a juventude italiana dos anos 1970, em um filme de quatro partes: Ante-Inferno, Círculo das Manias, Círculo da Merda e uma última, Círculo de Sangue.

Um estúdio japonês refilma um de seus maiores sucessos: uma série de soft-porn com flertes de cinema-cabeça. Contudo, as tensões nos bastidores crescem devido a um atrito entre a experiente atriz coadjuvante e a protagonista, uma jovem virgem que é novata no cinema.

Um filme trash, porno e independente trata-se de uma história de amor, um triângulo amoroso que se suja de sangue com a chegada de um quarto personagem: um serial killer que coleciona vaginas. Casal de lésbicas é perseguido por amante traído nos domínios de Esquisito. Sangue e sexo na tradição dos filmes da Boca do Lixo dos anos 80 com cenas escatológicas e metalinguagem cinematográfica total.

A cada três mil anos, um demônio vem ao nosso mundo com o intuito de promover o equilíbrio dos três reinos: O dos demônios, dos homens e o dos semi-demônios (metade humanos). O metade homem e metade demônio Amano vem à nossa realidade à procura do Deus Supremo, que irá despertar a qualquer momento. Com cenas de conteúdo erótico explícito.

Três homens e três mulheres vivem às voltas com seus cômicos problemas de relacionamento. Entre eles estão Barry (Aaaron Eckhart), que vive uma crise com sua esposa Mary (Amy Brenneman); Jerry (Ben Stiller), amigo dos dois, que sente que é um momento propício para passar uma cantada em Mary; e Cary (Jason Patric), um garanhão insensível que adora contar vantagem sobre suas conquistas.

Only 20 minutes into the pre-sale, Madison Square Garden, New York announces: Sold out! The concert film celebrates the band’s legendary show in New York’s Madison Square Garden – Rammstein’s return to the US after a ten-year absence. In HD and 5.1 surround sound.

When it comes to crime, Belgrade is same as any other modern metropolis, except for having its own serial killers. That blank is filled when a flower salesman begins strangling women. A popular, but very disturbed rock star soon becomes telepathically connected with the killer.

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

Último filme de Todd Verow, em "Anonymous", ele vive o protagonista, não-coincidentemente chamado Todd, que é um compulsivo sexual. Mesmo vivendo com seu namorado, passa os dias buscando sexo em banheiros públicos, pela Internet ou com seus fuck buddies (amigos de foda). O banheiro do cinema onde trabalha é uma de suas principais fontes de prazer e é onde seu calvário começa. Ao ser flagrado pelo namorado fazendo sexo através de um glory hole, é espancado, humilhado e expulso de casa. Todd decide relevar o trauma da separação buscando ainda mais sexo e posando nu para um site erótico de fetiches. Todd vai perdendo o controle de seus impulsos sexuais e a relação com seus parceiros passa da excitação à uma quase apatia. Em cenas de sexo cruamente explícitas, Verow revela o vazio e a solidão resultantes das práticas sexuais de seu protagonista. Mas o final, pelo menos, abre a possibilidade para uma solução romântica

Tom of Finland is one of the gay world's few authentic icons. His drawings have had an enormous influence on gay identity. Tom's ultimate leather men are known and seen everywhere. They are symbols of gay pride and friendship. The documentary includes some titillating 'enactments' inspired by Tom's art work.

Rome, 70s. Rocco and Antonia, high school students, meet during a political rally. The two young people share age, political ideas, dissatisfaction with their parents. Moreover, by attending, they realize they have fallen in love. It is the discovery of sex and passion. After some time, however, their relationship goes into crisis.

Isa, 25, is an influencer:1,5 million followers on Instagram. Too bad that she gets busted with illegal substances for athletes, robbing her of authenticity - a dramatic decline in her career.

Classmates Steve and George are part of a frightening food chain. For Steve, high school is a game. Seducing his classmates gives him his sense of purpose and fuels his art and poetry. When Steve sets his sights on the school star athlete, he starts a cat and mouse chase which could ruin him and his idol. George, the school recluse, copes with the stress of his mother's cancer and strained relationship with his father by cutting class and using drugs. Hooking up with a stranger in an effort to lose himself, George finds himself in a life or death situation. At odds with each other, George and Steve have more in common than they realize. As their paths spiral downward, they could save each other - or continue on their way to self-destruction.

A young reporter girl nicknamed Cream Pie writes an article on money-making in small businesses. She meets a married shoemaker who falls for her and steals his wife's money for their love nest, but Cream Pie discovers it by accident and takes it to the newspapers' office. Shoemaker's wife interferes into this whole confusion and the whole fuss resolves at a hospital.

The wealthy man Tobias Knopp becomes ever more lonely and quirky over the years. He had let himself go, his girth increased significantly, and his hair fell out. Over that, he waited too long for the right woman and stayed a bachelor involuntarily. But now, he wants to try again one more time and wants to get married after all. But first of all, the right woman for this has to be found, and thus Knopp embarks on a journey to look for a wife all through the German lands. During that, he visits his friends who are already married for a long time and gets all kinds of advice from them on how to get to know a woman and to conquer her heart. On his journey, Knopp then learns much about the different facets of married life. After countless adventures, he, however, doesn’t find an adequate partner and returns home frustrated. But perhaps, his housekeeper might be able to help out?

Freedom is the most important asset in a democracy. But freedom also means tolerance towards other ways of thinking. From distance to closeness The film plays. We follow the protagonist on her way to work, literally on her foot, until the surprising end. A virtuoso combination of the linguistic with the original visual level, the play with conventions that leads to an unexpected conclusion. The film addresses an important, highly topical theme - diversity. It wants to and is intended to initiate debate. Among other things, it deals with prejudices in religious views of life.

Through the perils of air combat, and an emergency landing behind enemy lines in Italy, Hank Sciaroni utilized his capability to speak Italian to help get him and his men to safety as the Germans closed in.

After numerous military operations, Major Müller can't find a way back into civilian life. Following his urge to communicate, the Major is looking for listeners and encouragement. He doesn't find either. Instead, the repeated monological memory of his own heroic deeds determines his present – with all the consequences. This 30-minute short film is based on the statements made by the mercenary Siegfried Müller in the documentary “The Laughing Man” (Walter Heynowski and Gerhard Scheumann, DEFA studio for newsreels and documentaries, 1966), as well as records from the German colonial period in Africa. An intensive contribution to the necessary public debate about the consequences of military operations.