Twisted Teens 3 (2020)

Depois de uma série de assassinatos brutais, um grupo de adolescentes enfrenta uma força maligna que aterroriza a cidade há séculos. Bem-vindos a Shadyside.

Quando os alunos do ensino médio começam inexplicavelmente a explodir, Mara e Dylan lutam para sobreviver em um mundo onde cada momento pode ser o seu último.

Como CODA (Filhos de Adultos Surdos), Ruby é a única pessoa com audição em sua família. Quando o negócio de pesca da família é ameaçado, Ruby se vê dividida entre seguir seu amor pela música e seu medo de abandonar seus pais.

Fragmentos da aproximação entre dois garotos contemplam o ingênuo interesse de Célio por Dário, o pressupor de Sofia diante desta aproximação e o interesse prévio de Dário por Célio.

A young boy from the south of France falls madly in love with a posh Parisian girl and follows her for crazy adventures to the big city.

Life for teenage versions of Wonder Woman, Supergirl and Batgirl is complicated as they try to balance their schoolwork with secret identities and fighting crime.

É verão e dois adolescentes têm seu primeiro encontro em um parque. Hesitantes e tímidos no início, eles logo descobrem um ao outro, se aproximam enquanto caminham e acabam se apaixonando. Mas quando o sol se põe, é hora de se separarem… e assim começa uma noite escura.

Teenagers’ leisure at full swing: a group of friends spend their holidays at parties, having sex, boozing, and partaking in any adventure that brings them a boost of adrenaline. As they use violence for entertainment and to fulfill their authoritarian fantasies, their adventures will show the cracks and the collapse of the perfect world they live in.

Young love blossoms amongst a group of Athenian teenagers during a boisterous summertime idyll, in the raw, romantic and anarchic feature debut from Greek New Wave director Sofia Exarchou. One of the most eagerly awaited films to come out of Greece in recent years, Sofia Exarchou's feature debut is a coming-of-age story that presents a summertime idyll from the perspective of Athenian youths. It allows us to see the fragility they try to conceal, and at the same time shows them to be unwaveringly resilient despite the socio-economic troubles that affect their destinies.

An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision.

Two teen girls and two teen boys play a game of truth or dare. The questions and the challenges deal with sex; it's innocent and harmless, but at each turn, each youth tries to raise the ante. Then, Paul gives a dare to Rose, and the result brings on a sudden and complete silence.

Three teenagers with missing parents cross their lives by the river Tormes in Salamanca. One of them lives in a boarding school, another has just lost his father, and one lives badly in a tent by the river. No adults in their lives, without direction, they are becoming adults but still do not own their life.

In love with a girl that smells of oranges while in a complicated relationship with his father, Darek is gentle, strong and devoted to his little sister and their herd of horses. Darek's world is a story about the joy and pain of growing up in the isolated yet beautiful Lusatian Mountains. Here, horses are not expensive specimens of racing stables but beings you should care for and love. Not even that is enough in life though, as Darek finds out nearing the Summer's end, closing his childhood definitely. However, just like any ending, this is a start of something new.

When Ella was twelve, she had her first fight. And when she was twelve, she discovered sex. Now eighteen, Ella reflects on how her obsession with her older brother Michael's best friend Moses left her with a secret she still carries.

Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting.

A couple of teenage boys decide to send a "dick pic" from the locker room. When the anonymously sent image is discovered, the culprits of the naughty image must choose to either hang out or stand together.

Akira is a high school transfer student with a deteriorating relationship with his father. When he arrives at his new school, he stumbles onto a classmate being bullied. His intervention triggers two new friendships — one with the victim Scott and the other with Elizabeth — the classmate who aids him after he is knocked out. Scott has a worse problem than the bullies — he has not come out at home yet. But Elizabeth may have an even bigger problem: she is a social pariah because she keeps acting as though someone or something is after her. Meanwhile, Akira’s home front situation is going from bad to worse.

A group of teenagers play a friendly game of Kick the Can. Two of them hide together: one has an idea, the other has a secret.

It is a youth film about the boys in their late teens spend before they become adults. Sho and Tiaga, who grew up in the same neighborhood since they were little, are in their last year of high school. They are also the duo who beat the drums at town festivals. However, Taiga announces that he will not play drums this year to prepare to go to college. Sho, who has no plan of his future, cannot think straight. Like The Blue Bird by Maurice MAETERLINCK, the film tells the story of the youth realizing that happiness is not far away.

Olivia is an introvert and shy teenager who uses notebooks and post-its to express what she cannot do in her daily life. Living in a problematic household, feeling that she has no friendships to trust; Olivia’s emotional state will be taken to the breaking point.