Veo-veo (1967)

O filme, baseado no livro de Lois Lowry, conta a história de um mundo perfeito, no qual todos são felizes. Quando Jonas faz 12 anos, é escolhido para ser o Receptor de Memórias da comunidade. Ele entra em treinamento com um velho homem, a quem chamam O Doador. Do Doador, Jonas aprende sobre dor, tristeza, guerra e todas as verdades infelizes do mundo "real", percebendo rapidamente que a comunidade vive em falsidade. Confrontado com a realidade, Jonas enfrenta escolhas difíceis sobre sua própria vida e seu futuro.

Nos anos 90 David (Tobey Maguire) é um jovem solitário, que não é feliz com sua vida e foge da realidade assistindo "Pleasantville", um seriado em preto e branco dos anos 50 onde tudo é agradável. Mas tudo muda bruscamente quando Jennifer (Reese Whisterpoon), sua irmã, que sexualmente muito mais ativa que David, briga com ele pela posse de um estranho controle remoto, que apareceu através de um igualmente estranho técnico de televisão (Don Knotts), que chegou repentinamente logo após eles terem quebrado o antigo controle. Durante a briga eles apertam o novo controle e são magicamente transportados para dentro da fictícia "Pleasantville" e lá se tornam Bud e Mary-Sue Parker, dois personagens da série.

John, Paul, George e Ringo enfrentam em seu Submarino Amarelo o exército de Blue Meanies que chegaram a Pepperland para acabar com toda a música, paz e amor que lá reinava.

Sister Patrocinio is a nun who is stigmatized by Christ in her hands and feet. Although some believe in this mystical fact, others suspect of manipulation and take it to the court of justice.

A Sunday Afternoon on the Island of La Grand Jatte by Georges Seurat is one of the great paintings of the world, and in "Sunday in the Park with George," book writer James Lapine and composer/lyricist Stephen Sondheim bring a story based on the work brilliantly to life. While the painting depicts people gathered on an island in the Seine, the musical goes beyond simply describing their lives. It is an exploration of art, of love, of commitment. Seurat connected dots to create images; Lapine and Sondheim use connection as the heart of all our relationships. Winner of the 1985 Pulitzer Prize for Drama. Originally broadcast as part of "American Playhouse" on PBS (season five, episode nineteen).

The history of color photography in motion pictures, in particular the Technicolor company's work.

A witch, disgruntled by the fact that no one takes Halloween seriously anymore, decides to stir things up and disrupt the social gathering in her old house as well as turn a couple of kids who love monsters into actual monsters.

A barefoot contessa, a screwed-up princess, an exquisite drunk, a bawdy aristocrat, a nightmare for puritanical America and the moguls of Metro-Goldwyn-Mayer, Ava Gardner never stopped loving those she loved. She turned women green and made men sweat. And rejected with all her force the bulwark of normality.

Arturo, who has just turned 15, is in love with 13-year-old Paloma. In a moment of passion at a ski lodge while on a field trip to the mountains with their schoolmates, he gets her pregnant. Afraid of what may happen to them if their strict (but somewhat inattentive) parents or any of the rather straight-laced teachers at their Catholic school find out about the baby, Arturo and Paloma turn to their young friends and relatives for help instead. This proves to be something of a coming-of-age for everyone involved as they try to help the young couple get married, conceal the pregnancy from their parents, and prepare for the birth. The many adventures they have while doing this, while often amusing, help drive home to them that the old wives' tale about storks bringing babies is just a myth (hence the title), and pregnancy and childbirth are actually very serious matters.

Paper cutouts over images of mixed colorful liquids, creating hypnotizing swirls and aesthetic explosions, as well as combining original and futurological sounds. Starting with the relentless hunting of antelopes, the geometric cutouts show the constant struggle between the warring groups. We have been observing it since the primeval times, when the tools of the battles were arches and spears, through the times of the domination of swords, later replaced by firearms. The increasing automation and power of war machines, the emergence of tanks and aircraft, eventually the use of weapons of mass destruction lead to total annihilation

An Oscar-nominated short from 1985 by Ishu Patel, which raises the question – which is preferable, a beautiful gilded cage, or your freedom?

Set in a small room, an adolescent woman experiences synesthesia. While she stares at half filled glasses on the table sound replaces her gaze. Harmonic tones exude and induce a trance like state over the woman. Her meditative harmonies are disrupted when an ominous character arrives with the intent to ingest the song. After consuming the beauty the dark character leaves. Left alone, the adolescent woman employs thaumaturgy to lure her song back to life again.

Madrid, Spring 1913. During a visit to the casino, a beautiful 20 year-old woman catches the eye of a 50 year-old rich widower. But the gamble he is about to commit is far greater than he suspects.

An account of the life and work of the Spanish poet Luis García Montero; a journey through his experiences, his mentors, his influences and his contact with other artists, both from the literary world and from other disciplines.

Hector the cat tries to sell a watch to the audience.