Coteau Rouge (2011)

Jean-Marc Phaneuf, an unmarried electrical engineer, travels to Burundi as a volunteer for the NGO Radio du Monde. He finds a country ruined by grinding poverty, famine, war, disease and appalling social inequality. At the same time, he meets a joyful, brave people hungry for happiness, knowledge and human dignity. The camera that becomes his personal diary also helps Jean-Marc expose the shaky, ineffective workings of NGOs. His investigations turn up a few praiseworthy examples of international cooperation, but on the whole he finds himself drawn to a terrible, inescapable conclusion: humanitarian aid is a utopian mirage. After falling victim to an attack and losing whatever ideals he still had, Jean-Marc becomes entangled in an impossible relationship. He is ultimately forced to leave Africa in disgrace.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

A young man and his girlfriend visit his parents at their lake house for the weekend. While there, the couple meets an eccentric artist who comes between them.

Two social outcasts in 19th century Eastern Europe, Alexandre and Ulysse, become friends and settle down to live alone on the edge of a marsh that is reputedly haunted by demons, monsters and goblins. These two men have been outcasts all their lives. Alexandre was raised in a nomad family that traveled from town to town, being rejected by the people of his homeland. Due to his physical abnormalities, Ulysse has always been pushed aside ever since his childhood. When a strange murder is committed in a nearby village, the peasants turn their suspicions on Alexandre and Ulysse, because they are different. In the eyes of the villagers, they are demons that must be hunted, burned and killed.

Depuis une sérieuse dispute avec son frère Fred, qui lui servait de modèle, Viviane, photographe professionnelle, a mis en veilleuse ses ambitions artistiques. Or, le hasard lui fait rencontrer Guillaume, un jeune mécanicien dont la photogénie naturelle l'inspire. Réticent, ce dernier se laisse convaincre de poser pour Viviane qui, retrouvant son énergie créatrice, fait de lui le sujet d'un projet d'exposition. Bientôt, l'artiste constate que le jeune homme, qui vit toujours chez ses parents, porte les stigmates d'un douloureuse expérience familiale, qui le rend asocial et autodestructeur. Tout en cherchant à percer le mystère de Guillaume, Viviane tente un rapprochement avec son frère.

In this Canadian made oddball mix of music and drama, an actress (Carole Laure) in a traveling musical revue is involved with the show's director until she meets and falls for an aging ecological activist. He too is drawn to her, and together they try to stop a factory from being built over an old-growth forest.

A 30-year old man is forced out of his inert and absent-minded existence when it's complicated by the three women in his life.

Alex has a deeply troubled mind. He also has a seriously dysfunctional - not to say incestuous - family. Why then, has he returned from his merchant seaman job to the rocky coasts of his home? Perhaps he couldn't cut manage to march in his father's footsteps in that job. His mother doesn't seem to mind, and lets him stay at her bed and breakfast hotel. His sister still seems to have the hots for him, just as she does for his (and her) old boyfriend Jean-Louis, who has just shown up. Even his mother seems to find him sexy. All these people appear eager to get their hands on his body, but he's too wrapped up in what's going on inside his head to notice.

The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.

The same day of their marriage, Jean's wife dies of a strange ailment in the middle of surgery. Afflicted by the loss, the young man abandons his medical studies and takes refuge in the memories of his time of courtship. At the same time that this happens, a wave of murders shakes the city with the same pattern of behavior: the victims are surgery students whose bodies have had both hands amputated.

Aos 67 anos, Marcel Léves contabiliza décadas de experiência como vendedor de carros na pequena cidade de Lac Saint-Jean, em Quebéc. Ele é um homem que se define pelo seu trabalho e se orgulha de ter se mantido no posto de vendedor do mês por dezesseis anos consecutivos. Suas únicas outras paixões são sua filha Maryse e seu neto Antoine, um jovem jogador de hóquei. No entanto, quando a fábrica de papéis local entra em processo de falência, a economia da cidade é abalada e a venda de carros cai vertiginosamente. Diante da crise, Marcel é forçado a rever seus planos de vida.

Long-time friends Yan, Simon, Roxanne, Maxime and his sister Lily are in their early 20s, the age when anything is possible. They are just embarking on their careers. Then one fine summer day, Yan is involved in a fatal car accident. The young man is killed instantly and the rest of the gang is thrown into turmoil.

A mother deals with the violent murder of her daughter.

In 1838, Francois-Xavier Bouchard (Francis Reddy) fights beside his Quebec countrymen and the English minority.

Contrecoeur is a film using fantastic realism to talk about psychology, drift and love. Three characters must define themselves in an enclosed space, a truck trapped in a snowstorm, and dream of somewhere else to find each other.

Jo lives in the shadow of his older brother. Amidst a world of delinquency, they become interested in illegal car racing. One night they participate in of them, never reaching the finish line. Jo will become Jonathan.

Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.

A young quebecer descends into alienation and depression.

Two geeky teenage boys follow the story of a superhero who doesn't really do much.

In this French Canadian film, when the provincial government tries to move two young farmers from their land to make way for development, the two fight back, accidentally killing a policeman and becoming outlaws in the process.