Francesc Betriu

A look at the Aragonese countryside, star of the movie screen, accompanied by various trades of cinema.

On November 1, 1968 were found dead bodies of two people, a man and a woman in apartment number 13 of the C / Cuenca 78, Valencia. She was Emilia Catalina Arguelles, better known as Gracia Imperio. The news of his death had a big impact on the city, as it was an artist of great triumphs in Spain, but mainly in the city of Valencia. 40 years later, is an investigation of the facts by witnesses and friends of the victims to try to clear up the mystery surrounding the case of death of the famous starlet and her young lover, while analyzing the social conditions of the time.

A film between documentary and creation shows a self-portrait of a original girl from La Mancha, who came to Barcelona 20 years ago and during this time, has been practicing street prostitution in Barcelona's Raval district.

Amparo, a sixty-five woman, has to face a new life after the death of her husband. Amparo end up living at home with his son, married with a son, but given the dominant nature of Amparo, eventually clashing with Teresa, the daughter, which gradually will look like her mother interfering in your life to deteriorate relationships .

Mercedes (Neus Asensi) Mariángeles (Ana Risueño) and Carmen (Miriam Diaz Aroca) need to escape something: the stress of the job, a divorce or a gray and boring existence. And all three are looking for something: a love affair in an exotic country. The destination is Tunisia, land of contrasts, from the deserts and beaches. But far from land into a paradise unprecedented journey undertaken with a group of quirky characters.

Forty-two-year-old Lorenzo finds himself out of work. Through an ad placed in the local newspaper, he gets a job as a helping hand for an aging homosexual poet who can barely manage on his own. From this moment on, Lorenzo juggles his strange line of work with the life he leads alongside his long-suffering wife and his secret encounters with Faustina, his lover. Everything goes awry from one day to the next due, amongst other things, to some compromising photos and an unexpected funeral.

Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.

Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.

Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.

The service staff of a luxurious Catalan farmhouse has prepared a large banquet because the arrival of the guests is expected. Everything is ready, but nobody arrives. Then, the housekeeper and the other servants will occupy for a few moments the place of their masters and, like them, they will behave despotically.

The service staff of a luxurious Catalan farmhouse has prepared a large banquet because the arrival of the guests is expected. Everything is ready, but nobody arrives. Then, the housekeeper and the other servants will occupy for a few moments the place of their masters and, like them, they will behave despotically.

Lozana, a young, beautiful and clever woman decides to move to the city after a tragic love story. There, she meets Rampin, a naughty rascal who soon finds out that her wit surpasses his own by a handful. When he falls in love with her, he can't help suffering as he sees how she plays not only with him, but with all of her lovers as well.

Lozana, a young, beautiful and clever woman decides to move to the city after a tragic love story. There, she meets Rampin, a naughty rascal who soon finds out that her wit surpasses his own by a handful. When he falls in love with her, he can't help suffering as he sees how she plays not only with him, but with all of her lovers as well.

Season 1973-1974. After fourteen years of drought, the FC Barcelona of Johan Cruyff is making a spectacular campaign. Sebastián, a great fan of soccer, decides then to join a Barça's supporters club. There he will meet the daughter of his friend Amadeo, an attractive young woman who will not stop until Sebastián agrees to marry her. The couple will celebrate their wedding on the same day that Barça and Madrid compete for the League.

Season 1973-1974. After fourteen years of drought, the FC Barcelona of Johan Cruyff is making a spectacular campaign. Sebastián, a great fan of soccer, decides then to join a Barça's supporters club. There he will meet the daughter of his friend Amadeo, an attractive young woman who will not stop until Sebastián agrees to marry her. The couple will celebrate their wedding on the same day that Barça and Madrid compete for the League.

Antoñito is a bachelor who works in a cabaret as a clarinetist. He has put an advertisement in the newspaper, looking for a good and honest girl, and to which responds Rocío, who escapes from her native Córdoba to hide the embarrassment of her pregnancy. The coexistence with the naive clarinetist, who refuses the insinuations of a co-worker dedicated to prostitution, who idolizes his deceased mother and keeps as a relic the orthopedic leg of his late father, is not easy. The other men will tend their ties around Rocío, that makes way in the world of the spectacle pretending to be blind. When she can no longer conceal that she is pregnant, Antoñito decides to give his name to the fruit of sin.

Antoñito is a bachelor who works in a cabaret as a clarinetist. He has put an advertisement in the newspaper, looking for a good and honest girl, and to which responds Rocío, who escapes from her native Córdoba to hide the embarrassment of her pregnancy. The coexistence with the naive clarinetist, who refuses the insinuations of a co-worker dedicated to prostitution, who idolizes his deceased mother and keeps as a relic the orthopedic leg of his late father, is not easy. The other men will tend their ties around Rocío, that makes way in the world of the spectacle pretending to be blind. When she can no longer conceal that she is pregnant, Antoñito decides to give his name to the fruit of sin.

A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.