Francisco Acosta

A filmmaker tracing the steps of Swedish explorer Erland Nordeskiold travels with a Guarani Indian from the highlands of La Paz to the swamps in the forests of South Eastern Bolivia, a place where uncontacted indigenous still exist. Philosophical Road Movie into the heart of Guarani culture of Bolivia translates ancient knowledge and explores the importance of the other in the construction of our identity.

Na Argentina, mais de 8.000 pessoas morrem em acidentes de trânsito a cada ano. Atrás de cada uma dessas tragédias existe uma máfia por prêmios de seguros e suas brechas legais. Sosa é um advogado que vive em hospitais públicos e delegacias em busca de potenciais clientes. Luján é uma jovem médica recém chegada do interior. Uma história de amor começa quando Luján está tentando salvar a vida de um homem que Sosa considera ser um cliente em potencial.

A deadly look into the savage world of gangsters. The aftermath of a holdup turns into a game of deceit and doublecross. A vengeful woman brings about the destruction of the entire gang of ruthless killers.

The film resembles a Ten Little Indians plot, with the crew of a Western film in post-production (who are staying as guests on an island retreat) cropping up as corpses one by one after the mysterious and inexplicable kidnapping of a child. The film plays up its traditional mystery angle, with each of the guests being as likely a suspect as the next, in scenes such as one in which all of the guests sit around in the parlor and cast dramatic, accusatory glances at one another.

Linda comes to the big city in search of fun and excitement. What she finds is exploitation and abuse at the hands of a succession of sleazy guys. Searching for love, she enters into a lesbian relationship with a beautiful countess, discovers drugs and swingers' parties and starts acting in porno movies. She also begins to write a secret diary... With a cast of some of the most stunning Euro actresses of the period, wall-to-wall sex and nudity, pot parties, porno shoots and a psychedelic soundtrack, this is a gem of 1970s exploitation cinema from Jess Franco. Street scenes shot in Benidorm (Alicante, Spain) and Las Palmas (Gran Canaria, Spain).

Vicenta Verruguillo came to Madrid to work as a bridesmaid in the house of a doctor and falls in love with his son. The boy, to keep his family is left without service, follow the advice of his father and pretends to be in love with her. Meanwhile, his cousin Manolo, a likeable rogue, who works as a nurse, several maids dupes that get her salary every month because he has promised to buy a flat before marrying them.