Alexander Wussow

German/Austrian-TV-movie with Hansi Hinterseer.

The sequel of the Black-Forest-Reunion "Die nächste Generation".

This reunion celebrates the 20th anniversary of the tv series "Die Schwarzwaldklinik".

In the year 1968, the “Bockerer” has decided, after many attempts, to marry his long-time widowed housekeeper, Anna. Gustl, whom he as taken in like a son after the war, will open a butchery in the Czech small town Kostelec and invites the Bockerers to spend their wedding journey with him and his Elena. The “Prague Spring”, of which everywhere is talked so much about, promises a nice honeymoon, and their friend Hatzinger is taken along on the journey as well. Soon after their arrival, the Bockerer has to realize that “Communism with a human face” is still an idle wish.

A romance directed by Holm Dressler.

Vienna, 1956. Viennese butcher Karl Bockerer goes to Hungary to buy meat. Along with his foster son and grandchild, he is caught up in the turmoil of the Hungarian revolt against the Soviet occupiers. With some luck and a great deal of cunning, Bockerer and his family manage to escape, but the Austrian border is closed - except for the bridge to Andau...

Vienna, 1947. Bockerer and his wife Binerl have survived the war, though his butcher's shop was destroyed by bombs. Karl Bockerer opens up a new establishment in the center of the city. Post-war Vienna is divided into four zones in which the Allies run things and ensure that law and order prevails. This is the story of two lovers: Gustl, just returned form a POW camp, and the Russian interpreter Elena. Bockerer becomes the patron of their love. Elena's father was executed by Stalin, and the only way she can escape a similar fate is to marry an Austrian. Bockerer "buys" a husband for Elena and, full of tricks as ever, he succeeds in pulling the wool over the Russian occupier's eyes.

Emma returns home to Cornwall to her father, Ben Litton, a successful albeit rather self-centered painter. Emma is reluctant to be welcomed by her father and will leave her there for a week after her arrival. So Emma remains lonely again until Robert, the gallery owner, wins her heart.

A neo-Nazi organization is recruiting in the 1980s, and two youths of high-school age join for similar reasons, despite class differences. Thomas is the son of a self-made industrialist father and a scolding social-climbing mother. He attends private school and has a brother who's an accomplished musician, but neither can satisfy mom's constant demands for school and social success. She belittles them, and there's incessant bickering at their table. Charly, a dropout, is the son of an abusive, alcoholic laborer. In the youth group, each finds order, respect, camaraderie, and adults who seem to value them. Where do domestic abuse and sanctioned political violence end?