Paula Hernández

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

The Sleepwalkers é um drama argentino de 2019 dirigido por Paula Hernández. Foi selecionado como o argentino de Melhor Longa-Metragem Internacional no 93º Oscar, mas não foi indicado. Recebeu o prêmio Silver Condor de Melhor Filme da Associação Argentina de Críticos de Cinema em 2021.

The Sleepwalkers é um drama argentino de 2019 dirigido por Paula Hernández. Foi selecionado como o argentino de Melhor Longa-Metragem Internacional no 93º Oscar, mas não foi indicado. Recebeu o prêmio Silver Condor de Melhor Filme da Associação Argentina de Críticos de Cinema em 2021.

The Sleepwalkers é um drama argentino de 2019 dirigido por Paula Hernández. Foi selecionado como o argentino de Melhor Longa-Metragem Internacional no 93º Oscar, mas não foi indicado. Recebeu o prêmio Silver Condor de Melhor Filme da Associação Argentina de Críticos de Cinema em 2021.

Late night. Ana is sleeping alone in a double bed. Her cellphone rings. Dazed, she turns on the bedside lamp to shake off her sleep. Reluctanly, she gets out of bed and, at 2 AM on one of those nights when you can see the vapor of your breath, she showers, gets dressed, puts on her makeup, walks to the avenue and takes a cab to the other side of town, so she can go deep into something more than the darkness of the night.

Late night. Ana is sleeping alone in a double bed. Her cellphone rings. Dazed, she turns on the bedside lamp to shake off her sleep. Reluctanly, she gets out of bed and, at 2 AM on one of those nights when you can see the vapor of your breath, she showers, gets dressed, puts on her makeup, walks to the avenue and takes a cab to the other side of town, so she can go deep into something more than the darkness of the night.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

Milagros is a cleaning lady in a TV studio. While working, the bloody 200 year Argentinian history occurs, bluring the line between fiction and reality.

Milagros is a cleaning lady in a TV studio. While working, the bloody 200 year Argentinian history occurs, bluring the line between fiction and reality.

Buenos Aires está debaixo de chuva há três dias. Após ter abandonado o homem com quem viveu por nove anos, Alma está morando temporariamente em seu carro. Presa na tempestade se sente solitária e insegura. Roberto, de volta ao país após 30 anos, também se sente solitário. Tudo o que tem na Argentina é um pai em coma, com quem nunca se relacionou e um apartamento que precisa ser esvaziado. No meio do trânsito, a porta do carro de Alma abre inesperadamente, e Roberto entra. Ela, mesmo sem conhecê-lo, deixa que entre, e o encontro muda o curso de suas vidas nos dias seguintes.

Buenos Aires está debaixo de chuva há três dias. Após ter abandonado o homem com quem viveu por nove anos, Alma está morando temporariamente em seu carro. Presa na tempestade se sente solitária e insegura. Roberto, de volta ao país após 30 anos, também se sente solitário. Tudo o que tem na Argentina é um pai em coma, com quem nunca se relacionou e um apartamento que precisa ser esvaziado. No meio do trânsito, a porta do carro de Alma abre inesperadamente, e Roberto entra. Ela, mesmo sem conhecê-lo, deixa que entre, e o encontro muda o curso de suas vidas nos dias seguintes.

Argentine history during the 20th century discovered by two teenagers, who investigate the lives of members of four different generations of the Lugones family.

Argentine history during the 20th century discovered by two teenagers, who investigate the lives of members of four different generations of the Lugones family.

Peter, a young German, enters a suburban Buenos Aires restaurant; seeking only directions, he instead accidentally ends up with a plate smashing into his head, thrown by the irritable Olinda, the 60 year-old Italian immigrant owner of the restaurant. The two develop a friendship once they discover that the reasons for their having moved to Argentina are strikingly similar.

Peter, a young German, enters a suburban Buenos Aires restaurant; seeking only directions, he instead accidentally ends up with a plate smashing into his head, thrown by the irritable Olinda, the 60 year-old Italian immigrant owner of the restaurant. The two develop a friendship once they discover that the reasons for their having moved to Argentina are strikingly similar.