Rebecca Daly

A teenage stranger is welcomed into a household in a devout Catholic village and gradually reveals his motives and what seem to be magical powers.

A teenage stranger is welcomed into a household in a devout Catholic village and gradually reveals his motives and what seem to be magical powers.

After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband's grieving rage.

After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband's grieving rage.

Loosely inspired by the director’s own memory of a girl’s disappearance from her village, the film follows Arlene, a young factory worker living alone in a rural Irish community.

Loosely inspired by the director’s own memory of a girl’s disappearance from her village, the film follows Arlene, a young factory worker living alone in a rural Irish community.

Hum begins in the living-room of a derelict house engulfed by trees. A woman stands in the dilapidated room. The woman has come here in search of silence, of escape. From the urban din, the constant noise of her life. To silence the voice of a lover recently lost. She wants to leave behind even the possibility of communication. But she discovers that her search for silence is impossible. The closest she comes is playing a dumb piano into a still afternoon. Finally she goes in search of sound, to experience it in its full intensity, at deafening volume.

In a rare and potentially fatal feat of cinematic daring, "Dublin 26.06.08" was shot entirely between 12.01am and 11.59pm on Thursday June 26th 2008. This audacious cinematic collage offers both a unique snapshot of a single day in the life of Dublin and a vivid example of a bold guerrilla filmmaking model. The film is an eclectic, multi-authored impression of Dublin (within the bounds of the encircling M50 motorway) as it lived, died, breathed, made love, filled up and emptied, consumed, wept, was rained and shone upon, grew bright and then darkened again.

As ten year old Kylie struggles to come to terms with her grief, she discovers that imagination can be more powerful than reality.

As ten year old Kylie struggles to come to terms with her grief, she discovers that imagination can be more powerful than reality.