Mauro Andrizzi

The disordered adventures of a alluring young man in New York. Dreams, fantasies, old-school street seduction, and a dead body. A homage to the 1980s No Wave Cinema by Argentinian director Mauro Andrizzi, set in pre-pandemic New York.

The disordered adventures of a alluring young man in New York. Dreams, fantasies, old-school street seduction, and a dead body. A homage to the 1980s No Wave Cinema by Argentinian director Mauro Andrizzi, set in pre-pandemic New York.

Cancer appeared one morning on her right breast and suddenly life became fragile and precious. A filmmaker decided to chronicle time passing, with all its beautiful simplicity. The film diary of a family, pieces of an Argentinian fiction film that wants to be completed, a tumor that dreams to be loved, two hunters looking for something to kill. The film glides between reality and fiction as the filmmaker tries to grasp the essence of his passing life.

"It felt like a spy movie." Mauro Andrizzi travelled to Tehran to present Iraqi Short Stories, his film that dealt with the 2003 US invasion of Iraq. After the screening, he was approached by an Iraqi lady, who pointed out some inaccuracies and wanted to have lunch with him to express her ideas about the war. This however was not the end of her interest in the Argentine filmmaker. A later trip took him to Egypt, where the air was full of conspiracy theories. Shark attacks in the Red Sea threatened to damage the tourism industry, and the government ordered hundreds of sharks to be hunted. Two weeks later, crocodiles started to attack people on the shores of the Nile. The last of Andrizzi's intriguing spy triptych takes us to Sana'a in Yemen and deals with the story of local Al Qaeda founder Anwar al Awlaki and a Croatian actress.

"It felt like a spy movie." Mauro Andrizzi travelled to Tehran to present Iraqi Short Stories, his film that dealt with the 2003 US invasion of Iraq. After the screening, he was approached by an Iraqi lady, who pointed out some inaccuracies and wanted to have lunch with him to express her ideas about the war. This however was not the end of her interest in the Argentine filmmaker. A later trip took him to Egypt, where the air was full of conspiracy theories. Shark attacks in the Red Sea threatened to damage the tourism industry, and the government ordered hundreds of sharks to be hunted. Two weeks later, crocodiles started to attack people on the shores of the Nile. The last of Andrizzi's intriguing spy triptych takes us to Sana'a in Yemen and deals with the story of local Al Qaeda founder Anwar al Awlaki and a Croatian actress.

"It felt like a spy movie." Mauro Andrizzi travelled to Tehran to present Iraqi Short Stories, his film that dealt with the 2003 US invasion of Iraq. After the screening, he was approached by an Iraqi lady, who pointed out some inaccuracies and wanted to have lunch with him to express her ideas about the war. This however was not the end of her interest in the Argentine filmmaker. A later trip took him to Egypt, where the air was full of conspiracy theories. Shark attacks in the Red Sea threatened to damage the tourism industry, and the government ordered hundreds of sharks to be hunted. Two weeks later, crocodiles started to attack people on the shores of the Nile. The last of Andrizzi's intriguing spy triptych takes us to Sana'a in Yemen and deals with the story of local Al Qaeda founder Anwar al Awlaki and a Croatian actress.

"It felt like a spy movie." Mauro Andrizzi travelled to Tehran to present Iraqi Short Stories, his film that dealt with the 2003 US invasion of Iraq. After the screening, he was approached by an Iraqi lady, who pointed out some inaccuracies and wanted to have lunch with him to express her ideas about the war. This however was not the end of her interest in the Argentine filmmaker. A later trip took him to Egypt, where the air was full of conspiracy theories. Shark attacks in the Red Sea threatened to damage the tourism industry, and the government ordered hundreds of sharks to be hunted. Two weeks later, crocodiles started to attack people on the shores of the Nile. The last of Andrizzi's intriguing spy triptych takes us to Sana'a in Yemen and deals with the story of local Al Qaeda founder Anwar al Awlaki and a Croatian actress.

"It felt like a spy movie." Mauro Andrizzi travelled to Tehran to present Iraqi Short Stories, his film that dealt with the 2003 US invasion of Iraq. After the screening, he was approached by an Iraqi lady, who pointed out some inaccuracies and wanted to have lunch with him to express her ideas about the war. This however was not the end of her interest in the Argentine filmmaker. A later trip took him to Egypt, where the air was full of conspiracy theories. Shark attacks in the Red Sea threatened to damage the tourism industry, and the government ordered hundreds of sharks to be hunted. Two weeks later, crocodiles started to attack people on the shores of the Nile. The last of Andrizzi's intriguing spy triptych takes us to Sana'a in Yemen and deals with the story of local Al Qaeda founder Anwar al Awlaki and a Croatian actress.

Two slackers that struggle to survive in the streets of modern China will face many problems when they are hired by a ghost to take a coffin, stolen from the local cemetery, across the big city of Shanghai in order to reunite a couple of lovers in the afterlife.

Two slackers that struggle to survive in the streets of modern China will face many problems when they are hired by a ghost to take a coffin, stolen from the local cemetery, across the big city of Shanghai in order to reunite a couple of lovers in the afterlife.

Car crashes are instant art and sculptures made in seconds. At least to a certain Buenos Aires photographer, who spends his nights driving through the city in search of capturing the perfect accident. Meanwhile, another man is trying to find a legendary cock sucker who hides somewhere in the dark rooms of a gay sex club. Accidentes Gloriosos tells nine different stories of death and transformation. From the man who undergoes a heart transplant and wakes up with new and strange artistic powers, to the woman who receives a last letter from her husband, written just before he freezes to death in one of history s most dramatic polar expeditions.

Car crashes are instant art and sculptures made in seconds. At least to a certain Buenos Aires photographer, who spends his nights driving through the city in search of capturing the perfect accident. Meanwhile, another man is trying to find a legendary cock sucker who hides somewhere in the dark rooms of a gay sex club. Accidentes Gloriosos tells nine different stories of death and transformation. From the man who undergoes a heart transplant and wakes up with new and strange artistic powers, to the woman who receives a last letter from her husband, written just before he freezes to death in one of history s most dramatic polar expeditions.

Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “In the Future” is a ghost. My ghost.

Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “In the Future” is a ghost. My ghost.

A compilation of videos shot by coalition soldiers mainly by mobile phones.

"Mono" is an experimental documentary about a generational renewal in the Argentine music scene. Twelve new gangs -Los Álamos, El mató a un policía motorizado, Bauer, Los Kahunas, Los Cuzcos, Brian Storming, Norma, Pablo Reche, Turpentine, Hacia Dos Veranos, Los Peyotes y McFly- and their audience, were filmed for six months in long sequence shots, during his recitals in different Argentine cities. No need for interviews, no words ... just the search for the ideal frame for each situation, strident music and the power of the live.