Producer
Based on the murder of nine street peddlers in the aftermath of the Great Kanto earthquake
Director
Tatsuji Miyoshi regards Sakutaro Hagiwara as his teacher. Feelings run deeper since he loves Sakutaro’s youngest sister, Keiko, but she rejects him. A decade later and as the Pacific War rages, Tatsuji finds out that Keiko is recently widowed and he divorces his wife and leaves his children and marries Keiko. They honeymoon quietly Echizen Mikuni but their personalities don’t match as Tatsuji is unable to keep up with the more uninhibited Keiko.
Writer
Based on the masterpiece of Japanese literary writer TANIZAKI Jun’ichirō, Naomi, this is an ambitious work by KATASHIMA Ikki showcasing his unique and bold style of cinematography. The original novel is set in the early 20th century during which the western influence largely affected Japan. However, this film version is set in the 70s, when Japan was starting to enjoy its affluence and the World Exposition was held in Osaka. In the middle of a hot and humid summer, Joji, a middle-aged man, appears to be enchanted by a young and attractive Naomi. Joji openly pursues her, while Naomi sometimes despises and makes fun of him. Regardless, Joji falls more and more for her. One Day, Naomi suddenly disappears. Joji’s jealousy and obsession surmounts until it threatened to destroy them all.
Director
Based on the masterpiece of Japanese literary writer TANIZAKI Jun’ichirō, Naomi, this is an ambitious work by KATASHIMA Ikki showcasing his unique and bold style of cinematography. The original novel is set in the early 20th century during which the western influence largely affected Japan. However, this film version is set in the 70s, when Japan was starting to enjoy its affluence and the World Exposition was held in Osaka. In the middle of a hot and humid summer, Joji, a middle-aged man, appears to be enchanted by a young and attractive Naomi. Joji openly pursues her, while Naomi sometimes despises and makes fun of him. Regardless, Joji falls more and more for her. One Day, Naomi suddenly disappears. Joji’s jealousy and obsession surmounts until it threatened to destroy them all.
Producer
Yukina, who works as a call girl in the burbs just north of Tokyo, was sexually abused by her stepfather. Her younger stepbrother Minoru was also abused, but meanwhile he harbors feelings for her. He gets suspicious about her line of work after finding her call girl business card, but he also worries that he'll become the target of bullying at school.
Screenplay
Ninomiya Azusa is a depressed elementary school teacher in Tokyo, who has problems both at work and in her personal life. One day, she suddenly hears a voice saying "If you go to Imore Island, you will get what you want.", so she decides to give it a try.
Director
Ninomiya Azusa is a depressed elementary school teacher in Tokyo, who has problems both at work and in her personal life. One day, she suddenly hears a voice saying "If you go to Imore Island, you will get what you want.", so she decides to give it a try.
Director
In Okinawa, a down-and-out middle-aged yakuza underling named Shidara kidnaps and confines a high school girl named Yui, the daughter of a fellow yakuza’s mistress.
Director
Twenty-year-old Kaori, an aspiring accessory designer, spends her days troubled by her mother's violence and excessive meddling. Meanwhile, forty-year-old secretary Kaori, whose daughter is a shut-in, can't stop shoplifting and having casual sex.
Producer
A young man is unable to save a young woman from being assaulted, despite her having helped him out of a difficult situation in the past. Wracked with regret, he decides to provide assistance to her younger twin sister who is plotting revenge against society.
Director
A young man is unable to save a young woman from being assaulted, despite her having helped him out of a difficult situation in the past. Wracked with regret, he decides to provide assistance to her younger twin sister who is plotting revenge against society.
Director
Arata Furuta plays a disgruntled saleryman fed up with being stepped on at home and at work, decides to get revenge on those who do bad things by killing them, only to gain a group of followers.
Producer
Hayato Akaboshi quits racing cars and settles in a village when he accidentally kills another driver. He works at a garage and turns its fortunes around, making the owner of another garage jealous.
Producer
Miyuki Minazuki, apelidada de “Gata de Rua,” é a “Número 3” no Sindicato de Assassinos. Ela mora com sua avó, e sua arma preferida é uma pistola. Gata de Rua recebe suas ordens de Sayoko Uekyo, uma mulher enigmática de vestido branco. Ela parece confortável com sua posição no ranking, mas a rivalidade se intensifica quando o misterioso “Número 1,” apelidado de “100 Olhos,” começa a atacar os outros assassinos que estão no topo da hierarquia. Quando Sayoko informa Gata de Rua de que 100 Olhos agora é um alvo para o Sindicato, surge a oportunidade para matá-lo e assumir o primeiro lugar. Espécie de remake e continuação de A Marca do Assassino (Goro Hanada, protagonista em 1967, é agora “Número 0,” um conselheiro de Gata de Rua), o filme aplica o estilo tardio de Suzuki à matriz dos filmes de gângster que ele fazia na Nikkatsu, resultando num painel delirante de cores e ritmos, um balé ou uma ópera de sedução e morte.
