Jonathan Summers

Star tenor Jonas Kaufmann brings aching intensity and vocal charisma to the tortured title hero of Massenet’s Goethe adaptation. Sophie Koch, in her Met debut, is an appealing and elegant Charlotte, the object of Werther’s passionate affection that will lead to tragedy. Lisette Oropesa as Sophie, David Bižić as Albert, and Jonathan Summers as Le Bailli co-star. Richard Eyre’s atmospheric production is conducted by rising maestro Alain Altinoglu.

La Traviata, one of the world's best-loved romantic operas is performed under the stars on a floating, mirrored stage in Sydney Harbor, with the city, Opera House and Harbor Bridge acting as a stunning backdrop. Giuseppe Verdi's captivating music is performed with the orchestra concealed in a studio beneath the stage to ensure the finest amplified sound combines with the superlative singing of the cast.

Verdi’s hugely popular La Traviata comes to the big screen for this glamorous production that was captured on location on Sydney Harbour in 2021 in front of a sold-out audience. La Traviata features timeless romantic arias, lively choreography, beautiful costumes and spectacular fireworks. Part of the World’s Most Spectacular Opera series, this production does not disappoint.

Opera North’s enchanting staging of The Adventures of Pinocchio, Jonathan Dove’s 21st opera, is a wittily inventive feast for the eyes and ears.

Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk

Um jovem de seus 16-17 anos, sexualmente inexperiente, Octavian, recebe uma lição de vida e de sexualidade de um nobre ser - a Marechala, Princesa Werdenberg. Ele só descobre a si mesmo, no entanto, e começa a entender os mistérios do coração feminino, quando ele é encarregado pela Marechala de uma nobre missão: levar uma rosa de prata à jovem Sophie, a noiva do Barão von Lerchenau...

Elijah Moshinsky's production of Verdi's "Il trovatore", filmed live at the Australian Opera in 1983. Joan Sutherland stars as Leonora, with Kenneth Collins as Manrico, Jonathan Summers as Count di Luna, and Lauris Elms as Azucena. Richard Bonynge conducts the Elizabethan Sydney Orchestra.