Ilias Panagiotopoulos

Euridice vive em um inferno chamado BA 2037, esperando Orfeu levá-la para o mundo de cima. Um homem deixa sua cama todas as manhãs. A relação entre eles é vaga e sentem-se ligados por alguma razão; pessoas vivem em volta da janela tentando entrar na casa-prisão; um estranho ao telefone insiste em dizer que foram amantes e que têm provas da morte de Vera, que ela imagina ter sido morta no parque de diversões; uma voz robótica fala por telefone que ela será transferida, mas ela acredita estar sendo enganada; o carteiro oferece um envelope com conteúdo desconhecido e ela se recusa a aceitar; o visitante noturno é um carrasco, pois ele pode andar livremente pela cidade. Esta é a realidade em fragmentos de Euridice em BA 2037, onde o tempo parece passar apenas para ela.

A partir das experiências dos atores de uma companhia teatral, o filme retrata o período de 1936 a 1952 na história da Grécia, passando por uma ditadura, a ocupação nazista e a guerra de libertação iniciada em 1945, entre outros acontecimentos.

A mysterious disappearance takes place during the shooting of a commercial on the beach in the early morning hours. An unknown man suddenly comes into the shot, then walks into the sea holding an umbrella and seizes to exist, before the bewildered eyes of the whole crew. After the police are notified, a confusing array of red tape manoeuvers begins, revealing the close affiliations of the Authorities with the advertising company manager and the whole mechanism of Mass Media, all of which are trying not to investigate the event but to conceal or even exploit it in their own interest. Only the musician involved in that commercial is trying to figure out what really happened.

At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.

Stavros has a cafe with his brother years and are the only ones in the family who care to get by. He is in love with Mary, which, however, not turning to look at him. Mary comes from an ...

A rich widow tries to pursue a relationship with a younger violinist despite the objections of her older brother and his wife.

Vasilis is a poor conservative man who works in a company and tends to buy the lottery very often - but with no luck. His life will turn upside down when his younger sister turns out to be an anarchist and gets involved with a leftist rebellious man he already knows and hates. Eventually, in an ironic twist of faith, the two of them will earn millions and gain the exact lifestyle they used to fight against and Vasilis will lose his mind.

A young student (Alekos Alexandrakis) comes from Italy and presents to his sister (Katerina Gioulaki) the fiancée (Maro Kondou) as Italian, because the first insisted not to marry a Greek. The couple, however, in cooperation with the afflicted spouse (Giannis Vogiatzis) strict sister, managed to change the opinion.

A feud develops between a taverna with bouzoukia and a club next door that plays modern music.

A professor asks two poor students of law to steal, for a fee, a rare figurine from the house of a collector. After the successful outcome of the theft, the professor dies from joy, and the two students decide to return the figurine to its owner. There they meet his daughters, to whom they tell numerous lies. In the end, it is revealed that the whole thing was part of a wager between the professor and the collector, and the two students fall in love with the latter's daughters.