Susana Pérez

Julio del Toro is a successful writer in his fifties, who has always had his life under his control, until the day that, returning from one of his frequent foreign travel, this consistent world will fall into crisis. His daughter has started an affair with a Spanish older than him, his mistress poses a serious ultimatum, a young journalist begins to prepare a report on his work, and he faces the question if he is already finished as a creator. While Julio feels increasingly confused and disoriented, the women around him will make the decisions that he is not able to take.

Cuba, February 24, 1958. The second Grand Prix International Automobile City of Havana is scheduled for this date. The great Argentinean driver Juan Manuel Fangio, five times world champion, is expected with open arms by all Cubans and the Batista government, the event organizer. But Fidel's revolutionary group "July 26" has other plans for Fangio, not exactly fly. The group's intention is that Fangio boycott a government that has very little time in power.

Luis, a sterility physician, is in love with a young colleague and faces the dilemma of breaking his marriage or accepting the tranquility and security of domestic life.

It reflects the transformation which a woman undergoes in the crisis of personal fulfillment that her husband is going through. In the middle of a complex process, marked by contradictions and failures, she will grow and express her independence as a human being. She will be another woman, determined to continue the difficult and unknown daily struggle.

Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.