Gerardo Barroso

O livro de Henry faz sucesso em espanhol. Porém, Maria, a tradutora, reescreveu todo o livro. A verdade vem à tona e conflitos surgem, mas logo os dois encontram o amor.

Lucia é uma menina yoreme, um povo indígena do México. Ela sonha em tocar harpa, mas tem um problema: o instrumento simboliza as mulheres e, segundo as tradições de seu povo, as mulheres não podem se tocar. O pai da jovem, Fidel, que é harpista, a proíbe de praticar. Em segredo, porém, Lucia começa a ter aulas com o avô. Uma festa da comunidade se aproxima, mas Fidel se machuca. Não há ninguém para tocar harpa na celebração, e Lucia precisa tomar uma decisão.

Lucio and Enedina are a happily married young Teenek couple that lives in the Huasteca Potosina's jungle with their three children. They love each other and share everything, nevertheless, everything crumbles when the construction of a highway, that their community has been requesting for so long, finally arrives.

Romero, a retired fisherman and a forgotten hero by the community, lives isolated in his home, surrounded by ghosts of the life he couldn't have, spirits that materialize before him as his real family. Alcoholic and schizophrenic, surviving on a daily basis. But deep down he feels the time has come to regain what he lost several decades ago, when he brought the oil curse to his own island, the lush Ciudad del Carmen. At the same time at the mysterious Estero Pargo, the goddess Ixchel has been reborn and seeks to mate with humans in order to continue the cycle of life.

Siblings Dylan and Andrea set off with their new friends on a marvelous journey of discovery in search of long lost pirate loot.

Three teenage friends spend the day playing and having fun riding a truck loaded with a mysterious package in the trunk, until the scourge of violence reaches them, changing the course of their lives forever.

"Me" is a is a teenager in the body of an adult, a simple being of spirit. He lives and works at his mother's restaurant; "Me" loves his mom and he is loved by everyone, especially Elena, her friend of 11 years. "Me" detests Pady, the man who sleeps with his mother. Sometimes, "Me" sees shadows on people and he knows that means they are going to die.

In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.

In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.

In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.

Chayo returns to her hometown to care for her elderly mother and cope with her death. Surrounded by love and sublime beauty, Chayo has to give up something that as a woman and mother is inalienable. That will be the price of her freedom.

Tracking an old man (with a truly Bela Tarr-like persistence) through the streets and bars, and porn cinemas, and taco-joints, of Mexico City on what might be the pensioner's last day on Earth, Critic/curator-turned-film-director Lipkes has crafted an undeniably challenging but beautifully realised vision of modern loneliness.

A young woman has to deal with her mother's degradation due to Alzheimer's disease.

Sergio Arau's documentary on his 1980's mexican rock band Botellita de Jerez.

Carefully shot in black and white, All Things Were Now Overtaken by Silence is a meditation on the filming of a strange play: a fascinating monologue by actress, director, performance artist and political activist Jesusa Rodriguez of Sor Juana Ines de la Cruz’s poem First I Dream.

Documentary that talks about the events that occurred on October 2, 1968 in the Plaza de las Tres Culturas in Tlatelolco, where thousands of students were killed during a rally.

At the close of a special day, family ties are shown to be fragile before the shared feeling concerning an important abscence when the sensation of absence. Uncle Manuel, a very peculiar man is determined to help his sibling's adolescent children and his brother-in-law, an unemployed union leader. Mom's house has now become a place where the family could vanish due to a world of broken dreams.