Ahcène Nini

A young French-Algerian man lured by a dubious "family" lawyer into making an occult business deal within a similarly marginalized setting: one of Paris's largest and most diverse Kabyle communities. Having been drawn into the family bar business by his estranged father, Samir still agonizes over the memory of his late mother, while falling in love with a beautiful and mysterious single mom.

O senhor Oscar parece um importante executivo indo para o escritório ao entrar em sua limusine, mas seu "trabalho" real é um pouco mais complexo: ele tem uma série de compromissos durante o dia, onde encarna personagens, desde uma idosa pedinte, um milionário em estado terminal, até um assassino frio. O objetivo e a motivação de Oscar, no entanto, são misteriosos.

Misteriosa produção, o segundo longa-metragem da também atriz francesa Sophie Merceau na direção. Ele conta a história de um homem que, depois que é encontrado um corpo, decide investigar o que está acontecendo. Assim, ele mergulha em uma trama cheia de elementos que fazem até mesmo um elogio aos bons filmes de suspense, com direito a uma misteriosa mulher que é semelhante a uma atriz que morreu seis anos antes. As revelações vão aparecendo aos poucos e surpreendendo os espectadores.

Jessica (Cécile de France) é uma jovem que nasceu e foi criada no interior da França. Ela se muda para Paris determinada a conseguir um emprego no famoso hotel Ritz. No entanto, a garota não consegue o almejado sonho. Por isso, contenta-se com um emprego como garçonete num café na Avenue Montaigne. O fato do estabelecimento estar situado próximo a um teatro faz com que Jessica frequentemente sirva artistas que agitam o local de trabalho da protagonista.

Because of a motorcycle accident, a young man from the poor outskirts of Paris must find a steady job in order to avoid being sent to prison. He gets into more trouble trying to do that.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

French director Isabelle Doval directs her husband, popular comedic actor José Garcia, in the comedy Rire et Chatiment (Laughter and Punishment). Vincent (Garcia) is a popular physician whose aggressive need to be funny and get people's attention annoys his girlfriend, Camille (Doval), to the point that she leaves him. He begins to suspect she might have been onto something when his behavior begins causing people to die.

A bittersweet drama covering 30 years in the lives of group of friends united by their devotion to the theatre, 30 Ans begins in Paris in 1974, when Aurelian, his girlfriend Barbara, and childhood friend Antoine form a theatre. Taking the plight of Pinochet's oppressed Chile as its cause, the theatre attracts the involvement of Jeanne, a young actress who immediately sparks the attentions of both Aurelian and Antoine. When Chilean dissident actor Luis is brought to the theatre by Barbara's diplomat father, Jeanne falls in love with him, and the two carry out an affair that ends when a sudden development causes Jeanne to disappear. 8 years later, Aurelian has a new girlfriend and is directing a travelling troupe, and Antoine is a high-priced image consultant who gets his old friend a gig at Dunkirk. Aurelian, deeply immersed in a mid-life crisis, still loves Jeanne, continuing to carry a picture of the enigmatic actress in his wallet and writing about her in his diary.

This is a light comedy about Amir, a young Pakistani who has been working for Jo for six years. Jo has a ready-to-wear clothes shop in the Sentier area and his business is prospering. He promised Amir that he would help him get his legal papers, but he has never kept his promise. Now he is sending Amir to his colleague Ralph in exchange for an unpaid debt from a card game. He thinks that this is a good opportunity to get rid of the illegal worker. Ralph is a fifty-year-old baby who keeps forgetting his appointments, his bank balance, and everything else that he should remember to run his life smoothly. His business is a complete disaster. A year later, Ralph's business has picked up, but Joe's is going down the drain. Thanks to whom? It is easy to answer this question if one follows Amir during his daily chores in the shop. But neither Jo nor Ralph's bother to take the time off to notice the hard work of this poor employee.