Ángel Parra

Known for their ranching abilities and their endurance under extreme weather conditions, both Joaquín and Victor leave their families behind to pursue their dreams of earning enough money to buy land of their own back in Chile.

In a violent city where a man succumbs to the loneliness and delirium of his unfulfilled desires. He wishes to belong somewhere. And the only way to achieve this goal is projecting in his own mind another version of himself, a "second man", someone -who will be accepted.

Intratável, terna, boêmia, áspera, contundente, frágil e indomável. Violeta Parra foi uma das artistas mais emblemáticas do Chile - e ainda assim, profundamente ignorada por décadas de uma cultura controlada pela ditadura de Pinochet. Andrés Wood, diretor de Machuca, realiza um trabalho primoroso ao trazer para as telas, a partir do livro escrito pelo filho de Violeta, Ángel Parra, a vida, a obra, a memória, os amores e as esperanças dessa cantora, compositora, poeta e pintora que é um dos maiores ícones da arte popular latino-americana.

Intratável, terna, boêmia, áspera, contundente, frágil e indomável. Violeta Parra foi uma das artistas mais emblemáticas do Chile - e ainda assim, profundamente ignorada por décadas de uma cultura controlada pela ditadura de Pinochet. Andrés Wood, diretor de Machuca, realiza um trabalho primoroso ao trazer para as telas, a partir do livro escrito pelo filho de Violeta, Ángel Parra, a vida, a obra, a memória, os amores e as esperanças dessa cantora, compositora, poeta e pintora que é um dos maiores ícones da arte popular latino-americana.

A group of friends meet one summer day to celebrate the arrival of one of them who comes from Mexico and who will bring them together again.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.

Nieves has murdered the man who was tried to rape his younger brother. Sentenced to five years in prison, she is immersed in a hard and marginal world, she does yearns to one day being released and fulfill her lifelong dream: to know the flowery desert in northern Chile. When an oversight of her captors allows her to flee, her dreams will have to wait still. She dedicates herself to managing a nightclub where her former jailmates prostitute themselves.

After finding a valuable treasure, Quique commits a crime. His mother arranges a plot to hide the act and keep the gems, but to make it, she'll have to surpass both the stupidity of Quique and the smartness of the policemen who investigate the case.

A ruthless thief has a change of heart after being mortally wounded and wants to carry the town's cross on the Way of the Cross in order to save his soul.

A young horse-tamer is wrongly accused of theft.

An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

In the seas of southern Chile, where the known world ends, in dangerous waters and ghost ports, a space where everything is possible, a group of sailors dare still to dream in mysteries and enchantments...

In the seas of southern Chile, where the known world ends, in dangerous waters and ghost ports, a space where everything is possible, a group of sailors dare still to dream in mysteries and enchantments...

After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.

Durante um protesto contra a ditadura militar chilena, no dia 4 de setembro de 1984, o padre francês André Jarlan foi assassinado na casa paroquial da ocupação La Victoria. Clamando por justiça, os moradores da ocupação marcham a pé até a catedral de Santiago, dando também um testemunho de amor e solidariedade ao seu pároco. Paralelamente, o documentário conta a história da ocupação La Victoria ocorrida em 1957, retratando a forte organização dos habitantes, que foi essencial para enfrentar a penúria econômica e a repressão sofrida por um dos principais bastiões populares de oposição à ditadura militar. O filme ainda traz Pierre Dubois, também pároco da La Victoria, que desempenha um papel de liderança na tentativa de deter a violência contra os habitantes da ocupação.

A documentary about the consequences of consuming alcohol and how it works as a weapon of the bourgeoisie to appease the thirst of the people.

A documentary about the consequences of consuming alcohol and how it works as a weapon of the bourgeoisie to appease the thirst of the people.

A collage of images showing the two faces of a society. That of poverty and that of wealth. Throughout the documentary, this antagonism is shown: populations in unhealthy conditions, and on the other hand, large showcases with mannequins.

The film is about Eloy, a Chilean bandit and companion of Joaquín Murieta, who is wanted by the justice system on the border with Argentina. Although an escape seems impossible, in desperation he flees without a fixed destination.