Tomoko Mariya

When Sonoko enters a traditional Japanese arranged marriage with Amamiya facilitated by her parents the resulting union is loveless including the functional and goal-oriented sex. When the husband and wife move for his work she falls for her husband's boss and takes on the role of a betrayer.

Young rocker Takuro meets pop star Saki at one of his band's shows. When she asks him to write a song for her, their views on life and music collide.

Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri's mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri's brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri's, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, "I want to see you." Because she blames herself for her brother's death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app's users begin to die.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

Kaede's life is changed when she discovers that she is the product of her father's affair. She tries to confide in Dr. Nishijima, a lecturer that she has feelings for.

Genichiro, a lonely retired man living with his son’s family who mostly ignores him, feels closest to his granddaughter who is in highschool. Through her, Genichiro meets another high school girl, Mina, who also feels ignored by her family. She is also troubled by her friend’s pregnancy and the bankruptcy of her father’s company. Unlike her friends, Mina has an ungilded view of life and finds herself comforted by Genichiro’s wisdom. Genichiro likewise is happy to be making a difference in someone’s life.

Turbulent life of Kiwa, the successor of the most prominent yakuza in Osaka, the Domoto Clan.

A vida ficcionalizada do pintor e poeta Yumeji Takehisa (1884-1934). Yumeji está em Kanazawa, esperando a chegada de sua amante Hikono, quando se depara com a bela viúva Tomoyo, que perambula pelas cercanias de um lago procurando o corpo de seu marido Wakiya, supostamente assassinado por um bandido. O pintor fica impressionado com Tomoyo e ajuda a viúva em sua busca. Em seguida, eles se tornam amantes. A trama fica mais complexa quando aparecem Matsu, o suposto bandido assassino, e a modelo Oyo, também amante de Yumeji. Até que o próprio Wakiya reaparece, sem que saibamos tratar-se de um fantasma ou de uma presença real. Último volume da “trilogia Taisho,” o filme intensifica os procedimentos oníricos e alucinatórios dos filmes anteriores, chamando mais a atenção para os elementos simbólicos e as atmosferas do que para a trama.

A pampered young model is killed in a traffic accident. Given the chance to return to earth, she becomes involved with the advertising executive who is trying to cover up her death. A blend of fantasy and trenchant realism in which Somai uses the ethereal glow of advertising images to comment on the transience of life.