Marcin Koszałka

The film tells the story of two Highlander brothers – Maciek and Andrzej. After the death of their father, which Andrzej contributed to, and the loss of his beloved Bronka, Andrzej leaves the family home. On his way, he meets the mysterious Wolfram, an anthropologist and climber. He shares with him his mountaineering technique and knowledge about the Prague origins of the highlanders. Andrzej returns to Zakopane, war breaks out. To protect the Highlanders from wartime destruction, he wants to persuade them to cooperate with the Germans. Andrzej and Maciek are standing on opposite sides of the barricade. The brothers' confrontation is bloody and painful.

The film tells the story of two Highlander brothers – Maciek and Andrzej. After the death of their father, which Andrzej contributed to, and the loss of his beloved Bronka, Andrzej leaves the family home. On his way, he meets the mysterious Wolfram, an anthropologist and climber. He shares with him his mountaineering technique and knowledge about the Prague origins of the highlanders. Andrzej returns to Zakopane, war breaks out. To protect the Highlanders from wartime destruction, he wants to persuade them to cooperate with the Germans. Andrzej and Maciek are standing on opposite sides of the barricade. The brothers' confrontation is bloody and painful.

The film tells the story of two Highlander brothers – Maciek and Andrzej. After the death of their father, which Andrzej contributed to, and the loss of his beloved Bronka, Andrzej leaves the family home. On his way, he meets the mysterious Wolfram, an anthropologist and climber. He shares with him his mountaineering technique and knowledge about the Prague origins of the highlanders. Andrzej returns to Zakopane, war breaks out. To protect the Highlanders from wartime destruction, he wants to persuade them to cooperate with the Germans. Andrzej and Maciek are standing on opposite sides of the barricade. The brothers' confrontation is bloody and painful.

The film tells the story of two Highlander brothers – Maciek and Andrzej. After the death of their father, which Andrzej contributed to, and the loss of his beloved Bronka, Andrzej leaves the family home. On his way, he meets the mysterious Wolfram, an anthropologist and climber. He shares with him his mountaineering technique and knowledge about the Prague origins of the highlanders. Andrzej returns to Zakopane, war breaks out. To protect the Highlanders from wartime destruction, he wants to persuade them to cooperate with the Germans. Andrzej and Maciek are standing on opposite sides of the barricade. The brothers' confrontation is bloody and painful.

A reporter, Alicja Tabor, after many years returns to her hometown of Wałbrzych to write a report about kidnapped children and also to face her own dark family history.

A solitary mountain man finds a young woman who has been beaten and abandoned in the woods. He makes her the object of his passion, but her dark past catches up on them.

A journalist from Warsaw travels to Silesia and manages to find a tenement house full of exceptional inhabitants.

A film about emotional boundaries, both individual and relationship-related.Two women and one man create erotic spectacle which reveals their involvement and loneliness resulting from getting lost in their relationship.

Karol, an ordinary young man, runs into a much older man, whom he believes to be a Red Spider, the terrifying serial killer, prowling the streets of Cracow in 1960s. Karol becomes obsessed with the man and spies on him.

Karol, an ordinary young man, runs into a much older man, whom he believes to be a Red Spider, the terrifying serial killer, prowling the streets of Cracow in 1960s. Karol becomes obsessed with the man and spies on him.

Karol, an ordinary young man, runs into a much older man, whom he believes to be a Red Spider, the terrifying serial killer, prowling the streets of Cracow in 1960s. Karol becomes obsessed with the man and spies on him.

37-year-old Marta gets married and wants to have a baby. But her toxic relationship with overbearing mother complicates her life in many ways.

Does gloomy fascination that surrounds serial killers tell us something important about ourselves? The figure of Joachim Knychala, who murdered five women between 1975 and 1982, is used to focus our attention on those whose lives were marked by the infamous 'vampire from Bytom'. Among them there is a former journalist, Edward Kozak, who, despite his old age, admits he has a variety of obsessions. The film about the 'vampire' offers him an opportunity to enter the limelight one more time.

Does gloomy fascination that surrounds serial killers tell us something important about ourselves? The figure of Joachim Knychala, who murdered five women between 1975 and 1982, is used to focus our attention on those whose lives were marked by the infamous 'vampire from Bytom'. Among them there is a former journalist, Edward Kozak, who, despite his old age, admits he has a variety of obsessions. The film about the 'vampire' offers him an opportunity to enter the limelight one more time.

With a running camera adult siblings dissect their relations with parents and with each other. The protagonist of the film, affluent businesswoman, who still hasn't come to terms with the death of their mother and father, becomes the director's conscience. He is trying to get closer to his dead parents in his own way - filming the last moments of patients in a hospital.

Marcin Koszałka returns in this film to a forgotten genre, namely a mountain film. The protagonist of his story is Piotr ‘Mad' Korczak, while somewhere in the background there is his rival Andrzej Marcisz. The director focuses on the career decline of a great master, provoking his reflection on his future life, when he will no longer be able to climb mountains. A moving story about inability to come to terms with old age and the desire of immortality.

Marcin Koszałka returns in this film to a forgotten genre, namely a mountain film. The protagonist of his story is Piotr ‘Mad' Korczak, while somewhere in the background there is his rival Andrzej Marcisz. The director focuses on the career decline of a great master, provoking his reflection on his future life, when he will no longer be able to climb mountains. A moving story about inability to come to terms with old age and the desire of immortality.

Marcin Koszałka returns in this film to a forgotten genre, namely a mountain film. The protagonist of his story is Piotr ‘Mad' Korczak, while somewhere in the background there is his rival Andrzej Marcisz. The director focuses on the career decline of a great master, provoking his reflection on his future life, when he will no longer be able to climb mountains. A moving story about inability to come to terms with old age and the desire of immortality.

Uma história sobre 3 mulheres, ambientada nos dias presente e na Varsóvia dos anos 1950. Sabina, uma mulher quieta e tímida que acaba de completar trinta anos, deseja um homem em sua vida. Sua mãe tem conhecimento e tenta, a todo custo, encontrar para a filha um bom candidato a marido. Toda a situação é controlada pela avó, uma senhora excêntrica e de língua afiada de quem não se pode guardar segredos.

The emotional inertia and chaos affecting a narcoleptic woman, a fatally ill writer and a gay doctor, and their attempts to escape from their dead-end situations.

Part of the television series "Decalogue...After The Decalogue" is a prankish take on the Bible's fifth commandment "Honor thy father and thy mother"

Part of the television series "Decalogue...After The Decalogue" is a prankish take on the Bible's fifth commandment "Honor thy father and thy mother"

An employee of a crematorium in the Czech city of Ostrava speaks dispassionately about his work and the technology of cremation.

An employee of a crematorium in the Czech city of Ostrava speaks dispassionately about his work and the technology of cremation.

An aging Polish thesp looks death in the eye as he prepares for the inevitable in the absorbing, well-mounted docu "The Existence." While thesp Jerzy Nowak ("Schlindler's List," "Promised Land") addresses a number of concerns about the end of his life, the film explores the question of what will happen to his body after he donates it to medical science. Subject is handled respectfully and tastefully, balancing the clinical with the personal. Pic will thrive on the fest circuit and can expect a long life via Euro pubcaster outlets. (c) Variety

A documentary-comedy about insurmountable cross-cultural barriers

A continuation of the style found in Such A Nice Boy I Gave Birth To is applied to another family situation: the son has a wife and child now.

A continuation of the style found in Such A Nice Boy I Gave Birth To is applied to another family situation: the son has a wife and child now.

Following the death of his mother in '80s Poland, 12-year-old Wojciech has taken the brunt of his stressed father's frustrations with him; the boy frequently gets punished via belt. Wojciech's father occasionally tries to, instead, bond with him, but soon snaps back to his short-fused habits. Apart from Wojciech's friend Bartek, no one does anything to help. Jump to present day, Wojciech is a furrow-browed journalist who spends most of his spare time spelunking alone. Just like his father, he has serious anger management issues. Fellow caver Tania feels inexplicably attracted to him, but the love of a good woman may not be enough.

For decades the photographer Krzysztof Gierłatowski has portrayed eminent Polish figures, thus creating an invaluable visual testimony. This time his "victims" are well-known citizens of Kraków: Stanisław Lem, one of the most brilliant, versatile, and unapologetically cerebral science fiction writers, author of 'Solaris'; Krzysztof Penderecki, one of the most esteemed and widely discussed Polish composers of the 20th century; and Wisława Szymborska, Nobel laureate in Literature in 1996, one of the few women poets who has received the Swedish prize. Gierłatowski assumes the role of a modern Stańczyk, a legendary thinker-jester, prophesying on the historical Polish Republic in his dramatic conviction that History annihilated the intellectual elite of his nation and the future will bring awe and destruction.

A bold uncompromising look at the hell of the director's real-life family life. He still shares the apartment with his dysfunctional parents who use verbal violence towards him on a daily basis.

A bold uncompromising look at the hell of the director's real-life family life. He still shares the apartment with his dysfunctional parents who use verbal violence towards him on a daily basis.

A bold uncompromising look at the hell of the director's real-life family life. He still shares the apartment with his dysfunctional parents who use verbal violence towards him on a daily basis.

A bold uncompromising look at the hell of the director's real-life family life. He still shares the apartment with his dysfunctional parents who use verbal violence towards him on a daily basis.