Carlos Enrique Almirante

Ricki travels to Cuba after many years to meet his girlfriend Beatriz, but she has changed a lot; Claudia, in a desperate search for money to buy a house, tries to scam a drug dealer; and Celina, a necrophiliac prepares to spend a weekend with a corpse.. Three dark love stories that, thanks to various unforeseen events, will intertwine until they become the revelation of the plot of a film that at the end of the story illuminates the drug dealer.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

Tito is 23 years old with a mother who loves him and a car that allows him to earn an honest living. His neighbors see him as a formal and educated boy. Nobody knows that behind that façade hides someone with a nihilistic vision of life. And that involves committing terrible acts for which he may have to pay someday. But Tito does not care about the future. There is only the present.

Detective Patricia receives news of the death of Mariano, a man who she believes had been wrongfully accused in the past.

The killing of a fiery young teacher sets Detective Mario Conde on the trail of a drug kingpin with ties to the high school he once attended.

A thief breaks into the home of a famous writer, unknowingly stealing what turns out to be the only manuscript of an upcoming story. In desperate need of money, he submits it to a contest...

Nos anos 50, o jornalista americano Ed Meyers viaja a Cuba para visitar Ernest Hemingway e sua esposa Mary. Entre eles nasce uma amizade incrível e Ed testemunha os problemas que afetaram o escritor antes de morrer.

Fiction film based on the homonymous short story by Miguel Barnet, which tells the story of Fatima, the Queen of the night. The film tells the life of a young homosexual and transvestite, who prostitute to earn a living, and also to maintain economically to the man whom he loves, and who must face all the complexities arising from its decisions.

Luis é um paciente que não fala ou se move como gostaria, por isso não podemos saber a extensão do seu pensamento. Mas sua mãe pode entender e reproduzir seus desejos ou os seus problemas, de modo que ela viveu imaginando o quanto seu amor chegou até seu filho. A condição imposta a Luis é permanecer em uma instituição mental onde interage com pessoas como ele, com movimento e comunicação limitada. Mas, como qualquer ser humano, Luis tem um forte desejo pela liberdade de sua prisão natural. La Parede de las Palabras é tanto o muro de contenção como o contador das emoções das pessoas que, tais como Luis, não são livres para expressar o seu mundo interior.

The Second Republic has fallen miserably. Simon Bolivar arrives to Jamaica without money or friends, seeking help from other nations to free Venezuela.

Reinier (Reinier Díaz) e Yosvani (Milton García) são dois jovens que costumam jogar futebol juntos e que acabam encontrando amor e uma saída para os seus problemas - a pobreza do bairro em que vivem, a miséria de vidas sofridas e as dificuldades de se sustentar uma família - nos braços um do outro.

Revolves around a love triangle that later evolves into a love square involving three Cubans and a Soviet soldier. Set in a fictitious rural village near a Soviet military base in central Cuba, their amorous adventures, or misadventures, unravel against the backdrop of the 1962 Cuban missile crisis.

In a Havana, shaken by Fidel's retirement, a young seamstress, trapped in a sweatshop job, dreams of designing beautiful dresses. Frustrated by her lazy, though adorable Cuban boyfriend, she meets a sophisticated ex-patriot Cuban-Venezuelan who dazzles her with a glamorous future. After many deceptions and surprises, Eva has to choose between the two men she loves. Hers is an unexpected decision... a humorous metaphor of Cuba's options for the future

This historical drama, depicting different phases in the late childhood and youth of the so-called "Apostle of Cuba" José Martí, is most of the time a biopic full of commonplaces often found in this genre, directed by Fernando Pérez, one of the most respected names in Cuban cinema.

A 2009 Cuban drama by Rebeca Chávez taking place in Santiago de Cuba at the beginning of revolution. In the late 1950s, the city of Santiago de Cuba was afire, the site of some of the fiercest resistance to the murderous dictatorship of Fulgencio Batista. The film's narrative unfolds over 24 hours in the lives of several youthful members of the underground as they confront their own uncertainty about the morality of armed struggle and the necessity of severing bonds that had seemed unbreakable.

Javier is an actor with an affinity for writing. When he begins his love story with Luisita, he does not know where the truth begins and ends. Fifteen years later he has converted his story into literature that relates his tragic love story in a creative way.

An approach to a living myth of dance, Alicia Alonso, from the viewpoint of her passion, tenacity and devotion to art. It includes fragments of the ballet Giselle, choreographed by her, based on the original by Jean Coralli and Jules Perrot, and of La Diva, choreographed by Alberto Méndez.