Shôbun Inoue

Two newlyweds decide to build their dream home, and hire an old friend named Yanagisawa to design it. Unfortunately, Yanagisawa isn’t licensed to build homes, so they call in the wife’s father, a retired carpenter, to help out. When Yanagisawa’s contemporary ideas clash with the old carpenter’s traditional Japanese methods, the project becomes a huge mess.

Yoji Kitami, a fisherman's son, is a student in Tokyo. His father had died at sea and Taichiro, his brother, is sending him to the university. But the outbreak of violence by radical students and blockade of classrooms make studying impossible and Yoji goes home. Fortunately, he meets Katsuyuki Shinoda, a childhood friend, who works on a whaling vessel. Yoji decides to join him and rediscover a meaning in life. But finding sidework on a whaler is not so easy and Ogaki, a veteran harpooner, curtly turns him down. But finally, deeply touched by Yoji's earnestness, Ogaki reluctantly agrees to take him with them. Rules are very strict, for even one slight slip-up may jeopardize the safety of the entire ship. For a long time, it seems like a living hell, but with patience and courage, he begins to learn the ropes. And the day they sight their first whale, Yoji comes into his own and finds the real meaning of life.

A trilogia humanista de Kobayashi continua tendo, neste segundo filme, o idealista Kaji sendo mandado à longínqua Manchúria e com as mais selvagens atrocidades ocorrendo durante a Segunda Guerra Mundial. Ao descobrir que os soldados são cruelmente maltratados pelo seu sargento e oficiais, Kaji resolve fazer um protesto.

Um grupo de soldados japoneses comuns é preso por crimes contra a humanidade, eles próprios vítimas de uma nação que se recusa a carregar o seu fardo como um todo. Da coleção "Criterion Collection": "Entre os primeiros filmes japoneses a lidar diretamente com as cicatrizes da Segunda Guerra Mundial, por ser um filme com conteúdo inflamatório, o filme foi engavetado pelo estúdio por três anos antes de ser lançado."