Dietrich Lohmann

Nascimento : 1943-03-09, Waltershausen, Germany

Morte : 1997-11-13

Filmes

Impacto Profundo
In Memory Of
Um astrônomo-mirim e seu professor acidentalmente descobrem que um cometa com 11 mil metros de diâmetro vai colidir com a Terra, mas um dos descobridores morre em um desastre de automóvel. Após um ano, um repórter tentando investigar um possível escândalo sexual chega à conclusão de que a "amante" é o cometa, que está prestes a se chocar com nosso planeta. Se isto vier a acontecer os danos causados serão incalculáveis e a vida animal e vegetal em pouco tempo deixará de existir. No entanto, uma equipe formada por americanos e russos planeja colocar detonadores nucleares, para fragmentar o cometa e salvar a Terra.
Impacto Profundo
Director of Photography
Um astrônomo-mirim e seu professor acidentalmente descobrem que um cometa com 11 mil metros de diâmetro vai colidir com a Terra, mas um dos descobridores morre em um desastre de automóvel. Após um ano, um repórter tentando investigar um possível escândalo sexual chega à conclusão de que a "amante" é o cometa, que está prestes a se chocar com nosso planeta. Se isto vier a acontecer os danos causados serão incalculáveis e a vida animal e vegetal em pouco tempo deixará de existir. No entanto, uma equipe formada por americanos e russos planeja colocar detonadores nucleares, para fragmentar o cometa e salvar a Terra.
O Pacificador
Director of Photography
Em algum lugar da Rússia dois trens se chocam, sendo que em um deles existia bombas nucleares. Após o acidente houve uma explosão nuclear, que colocou em alerta a comunidade internacional. Mas uma cientista nuclear e chefe do Grupo Especial Anti-Contrabando de Armas Nucleares da Casa Branca não acredita que foi um acidente e um tenente-coronel, que um oficial da Inteligência das Forças Especiais do Exército americano subordinado a ela, também desconfia que algo está bastante errado e que o acidente foi uma cortina de fumaça para as ogivas nucleares serem roubadas. Assim, os dois viajam tentando deter uma conspiração que tem ramificações em alguns países e cujos resultados podem ser catastróficos
Quiet days in Hollywood
Director of Photography
Behind the glitz and glamour of Tinseltown exists a harsh reality. Lolita (Hilary Swank) is a streetwalker hustling for business on Hollywood Blvd. Julie (Meta Golding) is a waitress coping with a sexual assault. And Peter (Peter Dobson) is struggling to come to terms with his sexuality. Their lives touch each other in ways they never expected in this drama co-starring Chad Lowe, Natasha Gregson Wagner and Jake Busey.
Snakes and Ladders
Director of Photography
A wry story of female friendship: Jean and Kate, two "nearing-thirty" street performers, find the ups and downs of life and love amid the pubs and music scene of modern day Dublin.
In the Lake of the Woods
Cinematography
John Waylan is a candidate for U.S. senator; near the end of the campaign he is accused of ordering and participating in a massacre in a Vietnamese village. The accusation kills his career, and severely endangers his marriage. When he and Kathy flee to an isolated cabin, he awakes one morning to find her gone. Questions are asked, answers are given or hinted at, as the tension and suspense build.
Um Divã em Nova York
Director of Photography
Béatrice, uma dançarina parisiense, troca de apartamento com um psicanalista egoísta de Manhattan chamado Henry. Ela se adapta com facilidade, mas ele tem dificuldade em se ajustar à casa frenética de Béatrice. Porém, a incompatibilidade claramente indica que os dois estão destinados a ficar juntos.
A Cor da Noite
Director of Photography
Um psicólogo nova-iorquino fica traumatizado e viaja para Los Angeles depois que um de seus pacientes comete suicídio. Na Califórnia, seu amigo médico é brutalmente assassinado e ele aceita atender alguns de seus pacientes, porém as consequências são assustadoras.
Me and the Kid
Cinematography
A lonely and emotionally neglected rich kid forms an attachment to one of the men who kidnap him during a botched robbery of his father's safe.
O Inocente
Director of Photography
A young engineer is sent to post-WWII Berlin to help the Americans in spying on the Russians. In a time and place where discretion is still a man’s best friend, he falls in love with a mysterious woman who will take him on the dark side of evil.
I Don’t Just Want You to Love Me
Self
A documentary about the life and work of director Rainer Werner Fassbinder.
Salt on Our Skin
Director of Photography
A Scottish woman who attends school in Paris comes home for the summer and helps take in the straw, where she meets an attractive and simple man. They begin a torrid affair despite the differences in their lifestyles. He asks her to marry him but she refuses, and they continue their separate lives but also continue their affair through the years, loving each other despite their differences.
Face a Face com o Inimigo
Director of Photography
A estratégia do jogo de xadrez permite que um psicopata criminal atue como um vampiro sobre mulheres jovens que se atrevem a dormir sozinhas. Um campeão da especialidade colabora com a polícia, na condição de suspeito e conhecedor das regras do jogo, para pegar o assassino.
Ted & Venus
Director of Photography
Ted is a 1970s Venice Beach poet who spends his days drifting along the boardwalk, reciting his poetry to anyone who will listen. His life changes when a bikini-clad beauty named Linda strolls by him. Instantly, Ted believes he's found his "Venus" and becomes obsessed with Linda. He tries to woo her with poetry, obscene phone calls and romantic overtures, all to disastrous effect.
Milena
Director of Photography
Prague, 1920. Milena's father wants her to follow in his footsteps and be one of the first female doctors in Czechoslovakia, but she is determined to be a writer. She elopes to Vienna with the Jewish music critic Ernst Pollak, and starts a correspondence with Franz Kafka. She leaves Pollak and returns to Prague with her father, where she befriends and translates Kafka. As a journalist, Milena covers the 1923 Ruhr worker's strike and meets the communist architect Jaromir.
Aliança Mortal
Director of Photography
Frank Warren (Rutger Hauer) foi preso em uma penitenciária de segurança máxima por roubar milhões em diamantes, os quais não foram recuperados. Nessa prisão unisex, cada prisioneiro tem um parceiro desconhecido. Quando eles se separam por mais de 100 jardas, um colar explosivo é acionado e mata os dois parceiros. Frank e sua parceira Tracy (Mimi Rogers), fogem para recuperar o dinheiro, mas são perseguidos pelos companheiros de Frank que o traíram durante o assalto. Agora, Frank e Tracy precisam se unir mais do que nunca, pois suas vidas dependem um do outro. Se eles forem separados a morte é certa, mas se permanecerem juntos e lutarem, os milhões estão garantidos.
Testemunha Solitária
Director of Photography
An architect witnesses a brutal murder in a small Texas town.
The Rose and the Jackal
Director of Photography
Detective Allan Pinkerton, working for the Union, becomes obsessed with Southern socialite Rose O'Neal Greenhow, a spy for the Confederacy.
Silence Like Glass
Director of Photography
True story of two diametrically opposed young women dealing with terminal illness.
Fathers and Sons
Cinematography
Follows two wealthy families in Germany during the first half of the 20th century. One of them is German, the other one Jewish.
Unerreichbare Nähe
Director of Photography
Story of the relationship between two women. Ines, a successful career woman, and Monika, whom Ines takes in after she has attempted suicide.
Love Is Not an Argument
Cinematography
The relationship of a married couple in their 40s is broken when the mother has an affair with her teenage daughter's boyfriend.
Tramps
Director of Photography
Beleaguered by choppy editing and potholes in the script, this story is about the bond that develops between an aging, former railroad worker living in an abandoned theater and Willie, the wayward, alcoholic architect he shelters (Elliot Gould). The flaws in the script and story development, and the architect's exaggerated character traits, work against the concept of a growing friendship between the two men and leave the main thrust of the film in limbo. A subplot has a gang of street thugs chasing Willie all over the city in order to retrieve some photos of a murder he accidentally recorded. At the same time, Willie is trying to reconcile with his son, left in the care of his neglected wife. ...
Phoenix on the Corner
Cinematography
Felix, a young projectionist, daydreams himself out of the loneliness of his projection booth and into a fantastic universe in which the characters in the films become his own. His dreams, wishes and reality become one in the fuzzy reflection on the projection window. A surreal play by Peter Patzak.
So weit das Auge reicht
Director of Photography
Purity of Heart
Cinematography
An abstract look at the changes in a woman's inner self. Married to a down-and-out writer, she is forced into a liaison with a book thief.
Put on Ice
Cinematography
In the late 1970s the German secret service fights against RAF terrorism and searches for constitutional enemies in the public service. Teacher Brasch implicates secret service agent Körner and the government in the suicide of a young teen. As a result Brasch and the exposed Körner are fired.
Milo-Milo
Director of Photography
Set in the greek island Milos, this action comedy follows a group of people searching for the actual Venus de Milo
Kassbach - Ein Portrait
Director of Photography
Viennese vegetable merchant Karl Kassbach becomes a member of a right-wing extremist organization, which plans numerous attacks on democratic institutions and journalists. The film attempts to portray a realistic and detail-oriented study of the mind of the "Kleinbürger", trapped between the fringes of the lower and middle-classes.
The Fall
Director of Photography
Santa Lucia
Director of Photography
The Tailor from Ulm
Cinematography
The true story of the Bavarian Tailor Albrecht Berblinger who, after a strange encounter with a balloon starts building a flying machine. Although not an engineer by profession, he never gives up. No matter how many obstacles are put in his way nor how many failures he endures, his ardour is never dampened. He continues with his dream to fly like a bird.
Alemanha no Outono
Director of Photography
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
Taugenichts
Cinematography
A young man seeks freedom and eventually gets conformed. To escape society, he wanders south. After some adventures he returns to his lover, where he expects a civil career.
Hitler: A Film from Germany
Director of Photography
Not porno, not underground film, not a good entertainment film, not documentary, not social criticism nor Hollywood boulevard film or horror show: rather a journey into the midst of night, a hell ride to paradise lost, into our inner self. The mystery play of a historical dance of death in the black studio of our phantasy, the ascetic “Trauerarbeit” (toils of mourning) on the end of an epoch, millions of dead. In old times one would have called it an epos, a poem, requiem, oratorio; an attempt to find a new German identity through film. And also about the heritage of Hitler in our present world, something about the infernal victory of quantitative democracy; about the calmness of melancholy and the thesis that Hitler can only be defeated with Richard Wagner.
Der Mädchenkrieg
Cinematography
The three daughters of the Dessau merchant Sellmann move with their father to Prague in 1936, where he accepted a position as director of the Böhmische Landesbank. For the three different women begins a new life, which accompanies the film over a period of ten years.
Talk to Me Like the Rain
Director of Photography
Berlinger
Cinematography
Earthquake in Chile
Director of Photography
1647, Santiago, Chile. Don Henrico banishes his daughter, Josephe, to a convent when he learns she loves Jeronimo, a mestizo who's a teacher in the household. The lovers meet in secret, a child is born, the pair are condemned to die, and prelates scheme to seize Don Henrico's fortune. A moment before Josephe's public execution, an earthquake devastates Santiago. Josephe finds her baby and flees the rubble; Jeronimo survives, escapes, and finds her. The reunion brings joy and rebirth. He wants to build a Utopian community, without priests. She believes they can reenter Santiago society, forgiven. Class, race, and religion dictate a world order: is there a place for these lovers?
Karl May
Director of Photography
This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By fusing theater, music, and cinema, Syberberg conjures up Karl May (1842-1912), the immensely popular German author, who set many of his adventure novels in an idealized version of the American Wild West. His tales of the cowboy and the Ubermensch alike were beloved by many, including (Our) Hitler, who supposedly ordered his generals to read May works after defeats in the Russian campaign.
Amor e Preconceito
Director of Photography
A German-made film based on one of the most famous German novels by Theodor Fontane. Effi Briest is a socially ambitious, 17-year-old German girl who accepts a proposal of marriage from Baron Geert Von Instetten, a much older diplomat. Unfortunately, neither the Baron's family nor anyone in the secluded town she now calls home accept Effi as an equal. Starved for companionship, Effi begins an innocent friendship with a well-known womanizer that may jeopardize her position as the Baron's wife.
Ich kann auch 'ne Arche bauen
Director of Photography
Five children secretly enter a house, wander around and begin to build an ark in the basement. Uwe always wants to be right and give commands to others but not do work himself. The others drive him away when he wants to open the water. Out of revenge Uwe locks them in in the basement. The water level rises and rises.
The Last Days of Gomorrah
Cinematography
Hebrew leader Lot (Stewart Granger) leads his people to a fertile valley adjacent to the cities of Sodom and Gomorrah, hotbeds of vice and corruption ruled by the merciless Queen Bera (Anouk Aimée). When Lot orders a dam to be busted in order to prevent destruction of the cities by the attacking Helamites, the queen, in gratitude, allows Lot's people to settle in Sodom. Soon, however, the veneer of civilization begins crumbling as Lot and the Hebrews become corrupted by the Sodomites.
Jogos Perigosos
Director of Photography
Based on Franz Xaver Kroetz's play, which is in turn based on a true story, this film by Rainer Werner Fassbinder tells the story of a very young girl who, after persuading a local boy to become her lover, induces the anger of her father, whose incestuous sexual attentions to her have grown unbearable.
The Sensuous Three
Cinematography
While out on the town in Berlin, Raymond sees and falls for Harlis, a star of a troupe of lesbian cabaret strippers. Attracted to a man for the first time, Harlis leaves her long time girlfriend and dance partner. Overwhelmed by jealousy and anger, his brother (Peter) and his ex-fiancee (Ria) are determined to sabotage this budding romance.
Afinal, Uma Mulher de Negócios
Director of Photography
A very stylized TV version of the Fassbinder play. The set consists of a few pieces of furniture in front of a large screen on which coastal scenery is back projected. Geesche is a nineteenth century woman who wants to have a mind of her own. She defies convention and will do anything to achieve her freedom from oppression by her family and friends. (synopsis written by Will Gilbert)
Afinal, Uma Mulher de Negócios
Adaptation
A very stylized TV version of the Fassbinder play. The set consists of a few pieces of furniture in front of a large screen on which coastal scenery is back projected. Geesche is a nineteenth century woman who wants to have a mind of her own. She defies convention and will do anything to achieve her freedom from oppression by her family and friends. (synopsis written by Will Gilbert)
Ludwig – Requiem for a Virgin King
Director of Photography
Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.
O Mercador das Quatro Estações
Director of Photography
Hans is a street fruit peddler and born-loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart attack, his business finally begins to take off. However the more he becomes a credit to his family, the more depressed he becomes.
Pioneers in Ingolstadt
Director of Photography
German filmmaker Rainer Werner Fassbinder directs the made-for-TV melodrama Pioneers in Ingolstadt, based on the play by Marieluise Fleisser. The film opens as a parade of soldiers are marching through a town square singing patriotic songs. Alma (Irm Hermann) and Berta (Hanna Schygulla) are watching them and musing about their ideas on men and relationships. The soldiers (often referred to as pioneers) have been given the task of building a bridge in the town. Alma seems to understand that the soldiers only want her for short sexual encounters, so she's prepared to live her life accordingly. Meanwhile, romantic Berta falls in love with self-centered soldier Karl (Harry Baer), who all but tells her to get lost. The soldiers get drunk and beat up a random passerby. The women grow to hate Alma for her acceptance of life as a sex object. Naïve Berta is ultimately humiliated.
A Big Grey-Blue Bird
Director of Photography
Two rival gangs try to obtain the five parts of a dangerous formula held by five scientists.
Rio das Mortes
Director of Photography
Michel and Guenther, working in dead-end jobs, are obsessed with going to Peru to find buried treasure, using a map of the Rio das Mortes. Michel's girlfriend, Hanna, humors their plan, but really just wants to get married.
A Viagem a Niklashauer
Director of Photography
Pode um pequeno grupo de pessoas iniciar uma revolução proletária, pergunta o "Monge Negro" numa jaqueta de couro. O pastor medieval, Hans Boehm, afirma ter sido chamado pela Virgem Maria para criar uma revolta contra a Igreja e os latifundiários. O "Monge Negro" sugere que ele teria mais sucesso se vestisse Johanna e mandasse aparecer como a Virgem Maria.
The American Soldier
Director of Photography
Ricky returns to Munich from Vietnam and is promptly hired as a contract killer.
Os Deuses da Peste
Director of Photography
A man is released from prison and finds the society on the outside less than appealing. With several women as well as the police on his tail, he sets out to find an old friend.
Por Que Deu a Louca no Sr. R.?
Director of Photography
Sr. Raab, designer industrial e pai de família, leva uma vida pacífica e confortável. Pode levar algum tempo até que ele seja promovido, principalmente depois de fazer um brinde embriagado em um jantar entre colegas. Mas por que deu a louca no Sr. R.?
Cardillac
Director of Photography
The story of a gold smith who is so obsessed with his own craft that he murders his customers.
O Amor é Mais Frio do que a Morte
Director of Photography
Small-time pimp Franz is torn between his mistress and Bruno, the gangster sent after him by a shady crime syndicate he's refused to join.
Baal
Director of Photography
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
O Machão
Director of Photography
A group of young slackers spend most of their time hanging out in front of a Munich apartment building. When a Greek immigrant named Jorgos moves in, however, their aimless lives are shaken up. Soon new tensions arise both within the group and with Jorgos.
Medidas Contra Fanáticos
Cinematography
The film features several horse trainers and other track workers talking about their roles at the track, always eventually interrupted by an older man who claims to be the true authority, and demands that they be thrown out. One recurring young man, the first to appear, claims that he protects the horses from enthusiastic racing fans. He does not appear to be employed by the track, but seems to provide his services voluntarily. His protection from "fanatics" gives the film its title. The film is shot in a documentary style, but the sheer implausibility of the dialogue leaves the exact nature of the film ambiguous.
The Cat Has Nine Lives
Director of Photography
Katharina and Anne go on trips, visit cafés, acquaintances and parties. In doing so, they explore the chances of female emancipation in a male-dominated society. Katharina strives for a life without sentimental compulsion. She believes that she has succeeded, and therefore looks at the beloved friend Anne compassionate, as it can be good. Anne is learning the left jargon. But it is sheer helplessness. She says it's political commitment that she does not trust her friend Katharina, so Anne smiles as well.
Últimas Palavras
Assistant Camera
Early short by Werner Herzog shot while being on location in Greece shooting "Lebenszeichen".