Serge Le Péron

Filmes

Le réveil des ombres
Director
Documentary about new chinese cinema.
O Astrágalo
Writer
1957, uma noite em Abril. Albertine, uma jovem de 19 anos brilhante e rebelde, salta o muro da prisão onde cumpria pena por roubo. Ao cair, parte um osso do pé: o astrágalo. É resgatada por Julien, fugitivo da justiça, e ambos se apaixonam perdidamente. Ele leva-a para Paris, onde a esconde em casa de um amigo. Enquanto ele continua a viver a sua vida de bandido na província, ela aprende a viver na capital. Julien é então apanhado e preso. Albertine, sozinha e procurada pela polícia vive de esconderijo em esconderijo, encontro em encontro, lutando contra a sua fragilidade pela sua liberdade e tenta suportar a dolorosa ausência de Julien escrevendo poesia.
Serge Daney : le cinéma et le monde
Director
Serge Daney was successively critic and editor of Cahiers du Cinéma in the 60s and 70s, then critic at Libération before founding Trafic a few months before his death. Through the dialogue established between some filmmakers of today and the thought of Serge Daney on the most diverse subjects, the film is the reconstitution of the look of a moviegoer on the world and the confrontation with our time.
Gilles Jacob: Citizen Cannes
Director
In 1978, Gilles Jacob landed what must seem like a dream job to many film buffs -- he became the director of the Cannes Film Festival, the world's biggest and most prestigious event for international cinema. Born in 1930 to a Jewish family, Jacob survived World War II by hiding out in a Catholic seminary, and developed a passion for movies as a teenager, attending school alongside future director Claude Chabrol. In his late teens, Jacob founded his own film magazine, Raccords, and he later became the chief film reviewer for L'Express (where he lost his job for having the temerity to give The Story of O a bad review). In 1978, Jacob took over as director of the Cannes Film Festival, and set out to make the world's greatest film festival even better by creating new showcases for promising talent (while still maintaining room for gifted veteran filmmakers), expanding the facilities and continuing to entertain and challenge audiences each year.
O Exército do Crime
Scenario Writer
Numa Paris ocupada pelas tropas alemãs, o operário Missak Manouchian encabeça uma pequena resistência formada por jovens comunistas. Por sua coragem, vão se tornando lenda de um combate desigual contra as tropas nazis.
O Exército do Crime
Idea
Numa Paris ocupada pelas tropas alemãs, o operário Missak Manouchian encabeça uma pequena resistência formada por jovens comunistas. Por sua coragem, vão se tornando lenda de um combate desigual contra as tropas nazis.
Françoise Dolto, for the love of children
Writer
After the Second World War, Claude, son of communist resistance fighters, whose mother died in Auschwitz, and Ben, child of a prostitute and a Jew face, face with the help of Françoise Dolto, the demons that haunt them.
Françoise Dolto, for the love of children
Director
After the Second World War, Claude, son of communist resistance fighters, whose mother died in Auschwitz, and Ben, child of a prostitute and a Jew face, face with the help of Françoise Dolto, the demons that haunt them.
Sacha Guitry et le cinéma: un amour masqué
Director
A double of Sacha Guitry watches several scenes from the artist's films, reads out his letters, goes through his personal archives, and even asks opinions from other film directors on the phone.
I Saw Ben Barka Get Killed
Writer
January 1966. In a Paris apartment, police discovered the corpse of Georges Figon, the man who broke the scandal of the Ben Barka affair and undermined Gaullist power. A year earlier, Figon, tired of dubious deals and petty scams, is looking for a juicy blow. Close to the "middle" since his years in prison, he was given a large mission: to produce a documentary about decolonization, written by Marguerite Duras and directed by Georges Franju, with the help of the famous Moroccan opponent Mehdi Ben Barka, hired as a historical consultant. This film project is a trap ...
I Saw Ben Barka Get Killed
Director
January 1966. In a Paris apartment, police discovered the corpse of Georges Figon, the man who broke the scandal of the Ben Barka affair and undermined Gaullist power. A year earlier, Figon, tired of dubious deals and petty scams, is looking for a juicy blow. Close to the "middle" since his years in prison, he was given a large mission: to produce a documentary about decolonization, written by Marguerite Duras and directed by Georges Franju, with the help of the famous Moroccan opponent Mehdi Ben Barka, hired as a historical consultant. This film project is a trap ...
Chaplin Today: 'The Gold Rush'
Director
African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.
Léaud l'unique
Director
Documentary about the work of Nouvelle Vague actor Jean-Pierre Léaud, with interview clips, film clips and contributions from directors and actors he has worked with.
The Marcorelle Affair
Director
François Marcorelle, an investigation magistrate in Chambéry, finds himself in the room of a young Polish girl that he met in a restaurant
Laisse béton
Writer
Brian and Nourredine are two lousy young offenders. Their flights have a motive: a film brought back from San Francisco where the father of Brian, singer of rock of the sixties, today in prison, made a tour.
Laisse béton
Director
Brian and Nourredine are two lousy young offenders. Their flights have a motive: a film brought back from San Francisco where the father of Brian, singer of rock of the sixties, today in prison, made a tour.
Cinématon XXVI
N°257
Reel 26 of Gérard Courant’s on-going Cinematon series.
L'Olivier
Director
L’Olivier responds to a concern French public support for the Palestinian cause is diminishing in the wake of the 1972 Munich operation. Structured to chronicle the Palestinian story and to explain the current chapter in the struggle, the film calls for global militant solidarities and, particularly, for European political engagements.
Soyons tout
Supervising Technical Director
A militant fictional film on the subject of a hard strike.