Serge Daney
Nascimento : 1944-06-04, Paris, France
Morte : 1992-06-12
História
Serge Daney (June 4, 1944, Paris – June 12, 1992) was a French movie critic. He was a major figure of Cahiers du cinéma which he co-edited in the late 1970s. He also wrote extensively about films, television, and society in the newspaper Libération and founded the quarterly review Trafic shortly before his death. Highly regarded in French and European film criticism circles, his work remains little known to English-speaking audiences, largely because it has not been consistently translated.
A secret figure in French underground cinema, Maria Koleva has filmed all over Paris, written about Marx and rubbed shoulders with the likes of Serge Daney. This documentary is a portrait of a histrionic Koleva, trying to reveal her militant, poetic and cinematographic universe, located in the Latin Quarter of Paris.
(archive footage)
Joaquim Pinto, que vive com HIV há mais de duas décadas, faz uma retrospectiva da sua vida no cinema, de suas amizades e amores, dos mistérios da arte e da natureza – tudo isso enquanto se submete a um tratamento medicamentoso experimental.
Self - Film Critic (archive footage)
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Serge Daney talks about television in France, about the social role it plays and the role it could play, its ability to welcome and even integrate the "other" into a system of values of which it still is - in spite of everything - the depositary. Its existence of truth, of openness to the world passes through Serge Daney's own biography: that of a man formed by the major art of this century: the cinema.
Serge Daney, the most influential film critic after André Bazin, interviewed by Régis Debray a few months before his death.
The French Ministry of Culture commissioned films on the cultural decade "en chantiers". Robert Kramer makes one of the six short films that illustrates the cultural side of the decade Mittérand. Here we see a director of cinema in the suburbs of Caen, in her room lined with flower paper. This for art and essay cinema. There, the critic Serge Daney in a sailor's cap, for a chat by the fire. An overview of French cinema today, "Pickpocket" on television. Then back on you. The camera slides on the desk that we imagine to be Kramer's. Finally, the camera flies over Paris, slides along the facades, stops on a window, entering the skylight: "The films invite to see ... I invite you to see Jean Genet's hotel room."
Director
This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.
Self
This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.
Director
The only movie directed by Serge Daney, a famous french film critic.
Self
Jean-Luc Godard interviewed by French Critic Serge Daney at the time when Godard was working on his project "Histoire(s) du cinéma".
N°67
Reel 7 of Gérard Courant's on-going Cinematon series.
Himself
This is a film made of interviews of the film director Jacques Rivette, by a film critic ("Les Cahiers du Cinéma"), Serge Daney.
Director
This is a film made of interviews of the film director Jacques Rivette, by a film critic ("Les Cahiers du Cinéma"), Serge Daney.