Julia Juaniz

David é um empresário que tem uma vida confortável com seu namorado Álex. Tudo segue seu curso até que Blanca, a irmã de David, reaparece em suas vidas.

Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.

In 1972, a gang of close-knit thieves from Youngstown, Ohio attempt to steal $30 million in illegal contributions. Based on the true story of the biggest bank heist in US history.

Piloto de corridas veterano Sam Munroe e seu filho, um colega de uma pequena cidade superam conflitos familiares e profissionais, equilibrando competição, ego, ressentimento e um nemesis de corridas para sair mais forte do outro lado.

"Bent" segue Danny Gallagher, um detetive desacreditado de narcóticos que, após sua libertação da prisão, faz planos de se vingar do acusador que o matou e matou seu parceiro. Através de sua missão, Gallagher é forçado a enfrentar um agente do governo implacável e sedutor, que pode ou não estar do seu lado e seu mentor, um policial aposentado que lutou contra a corrupção por toda a sua carreira.

Um roteirista sem muita sorte na vida encontra um andarilho e oferece um lugar para ele ficar. No entanto, quando o estranho enlouquecido o faz refém e o obriga a escrever, isso traz muitos segredos à tona.

Um livre retrato do poeta italiano Lorenzo da Ponte, autor do libreto de Don Giovanni, amigo do libertino Giacomo Casanova e, ao mesmo tempo, um artista que vivia na dissipação. Da Ponte, um judeu veneziano convertido por obrigação ao cristianismo e que foi expulso de Veneza pela Inquisição, conheceu Mozart em Viena, trabalhando com ele na peça de teatro e lírica encarregada pelo rei austríaco, depois do sucesso de As Bodas de Figaro.

Ainhoa's career as a pianist is put on hold when she's knocked down in the center of Barcelona. Her love life isn't exactly at its best either. Shortly before the accident she met Imanol, but had been incapable of sharing her life with him due to an inability to show her feelings. The origins of her fears lie in the ETA attack she witnessed at the age of 15.

Depois de "Flamenco" e "Tango", Carlos Saura encerra a sua trilogia dedicada a formas de expressão musical com "Fados", debruçando-se sobre uma das mais conhecidas expressões do povo português.

'Sarean' is a short documentary about fishing in the Northern Seas.

Numa aldeia isolada na Extremadura (Espanha), as famílias Jiménez e Fuentes têm uma história violenta de disputas de terra, ciúmes, inveja e violência.

One bad thing never comes alone, says the people. The village Estrela is threatened by the waters of the new Alqueva dam. It will become an "island". But, as one bad thing never comes alone, the daily lives of the inhabitants of this small mountain village are changed by the death of Adriano. "In order to create, I destroyed myself; I have so much externalized within myself that within me I exist only outwardly. I am the living scene where various actors perform various plays." (from Livro do Desassossego by Fernando Pessoa), as Adriano liked to quote Adriano. He committed suicide on the day of the village feast, hanging himself in the main square. For Adriano, the main square of the village has long been the center of the world. Adriano felt surrounded, depressed, unable to escape his destiny. "No one can stop a man who travels with suicide on his lapel" Adriano repeated to Lisete, always to the point of exhaustion.

Salomé's story interpreted by a director and a troupe of flamenco dancers.

1940. In a rural home in northern Spain life goes on, slowly. But a blood stain on a newborn might have some deep meanings.

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

The old Spanish filmmaker Luis Buñuel (1900-83) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-89) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.

Three young and desperate inhabitants of Madrid attempt to rise above their circumstances by any means available to them in that sun-drenched city. This tight-knit trio must scramble when their hasty plans become derailed by a demanding matriarch, an abusive older brother, and the entire corrupt underclass with which they deal.

Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life.

Manu travels to Murcia to spend the summer with their grandparents because their parents are getting divorced. Surrounded by gardens, sea, nature, and lush, warm family, Manu find his first love and the first signs of adulthood.

A young girl, after failing an exam, is forced by her father, a taxi-driver, to learn his profession. Soon she discovers that her father is not only a driver but also a member of a racist group eliminating immigrants, homosexual, transvestite, etc. people. She also falls in love with a boy, also a taxi-driver and a "socio" of the group.

Itziar is eight years old and lives in two very different worlds. On the one hand, the world of her disappointed Basque nationalist parents and, on the other, the religious school, which gives the girl a repressive and retrograde education. However, there is another kind of world, much nicer to Itziar, formed by the street and her friends.