Xie Fei

Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel's transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

The story of Yeshe Dolma, and her turbulent marriage to a proud warrior, Jiacuo, across half a century.

The story of Yeshe Dolma, and her turbulent marriage to a proud warrior, Jiacuo, across half a century.

Bayinbulag and Somiya are brought up, from a young age, as brother and sister by their adoptive grandmother. The three live happily in a yurt on the Mongolian steppes. Just before Bayinbulag is to leave for the city, to be trained as a vet, the grandmother suggests that Bayinbulag and Somiya should eventually marry. Bayinbulag, now training to be a musician, stays away for long periods of time without communicating with Somiya. He finally comes back expecting to marry her.

If money can't buy happiness, can it at least buy control over others? Xiang is hard-working, running a small sesame oil business. Her husband is lazy and drinks; her son is blood simple. When Japanese investors provide capital to expand Xiang's business, she has the wealth to raise her social standing and buy a wife for her son, Dunzi. When money and a forceful personality fail to bend others to her will, including daughter-in-law Huanhuan, Xiang must find another way to tranquillity.

If money can't buy happiness, can it at least buy control over others? Xiang is hard-working, running a small sesame oil business. Her husband is lazy and drinks; her son is blood simple. When Japanese investors provide capital to expand Xiang's business, she has the wealth to raise her social standing and buy a wife for her son, Dunzi. When money and a forceful personality fail to bend others to her will, including daughter-in-law Huanhuan, Xiang must find another way to tranquillity.

A man returns to his native Beijing after serving in a labor camp, to find that he has no family or prospects or friends. He tries to make a living, but his old underworld contacts drag him back into a life of crime.

Xiao Xiao tem 12 anos e entra em um casamento arranjado com um garoto de dois anos de idade, virando mais sua mãe do que esposa. O filme foi exibido na mostra Un Certain Regard, no Festival de Cannes, de 1987.

Our Field depicts the lives of five sent-down youths during the Cultural Revolution and follows their continuous search for meaning during the subsequent years.

In 1950, Xiao Sun, a scout of the People's Liberation Army, comes to the mountainous area of ​​Zhawangzhai to track down a Kuomintang bandit commander.

In 1950, Xiao Sun, a scout of the People's Liberation Army, comes to the mountainous area of ​​Zhawangzhai to track down a Kuomintang bandit commander.

With the fishermen's life on the southeastern coast in the early 1960s as its background, the film depicts a group of militia women who work both as fisher women and fighters defending their homes and the motherland.