Music
In a brilliant, modern version of the classic shipwreck tale, director Marleen Gorris manages to capture both a gay male’s and feminist perspective. After a large airliner crashes on a deserted island killing most of the passengers, two women, five men and a dog survive: an Eastern European, a Canadian lawyer, a French biologist, a prosperous Scottish financier, a young American, an extrovert Australian and a major in the British army. Hopes of rescue fade as the survivors come to realise that the world may have suffered a major disaster. They have to rely on their own resources and at first manage to live harmoniously. But gradually tensions rise after a failed attempt to escape. Intolerance threatens their very existence as one of the men begins to put himself forward as the leader of the group.
Original Music Composer
After his wife Marjan has died in a car crash, Philip de Wit becomes a total wreck. Only after months does he return to a more or less normal life and even then he only works in his wife's bookstore. A year later Eileen walks in the store, a girl from Northern Ireland with her baby in her arms. When Philip sees her, he's dumbfounded, for she's the spitting image of his dead wife. Obsessed with her, he goes and tries to find her again, but he soon finds out that he's not the only one who's looking for Eileen.
Music
Stranger at home (1985) is a documentary about the return to Jerusalem of a friend of Van den Berg, the Palestinian artist Kamal Boullata, who had not seen his home country for a very long time. The friends, making the trip together, find themselves more and more involved in a painful confrontation: Jew versus Palestinian.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
