Sound
This provocative consideration of the lasting influence and draw of Hitler provides insight into the resurgence of white supremacy, antisemitism, and the weaponization of history.
Producer
This provocative consideration of the lasting influence and draw of Hitler provides insight into the resurgence of white supremacy, antisemitism, and the weaponization of history.
Director
This provocative consideration of the lasting influence and draw of Hitler provides insight into the resurgence of white supremacy, antisemitism, and the weaponization of history.
Director
No dia da eleição presidencial de 2016, o cineasta Jeff Deutchman examina os pensamentos e sentimentos dos americanos comuns enquanto dirigem para a urna. Dito em vinhetas breves de todo o país e focado em eleitores de todos os lados do espectro político - que vão desde um homem sikh e sua família em Nova York até um mineiro de carvão na Virgínia Ocidental - o filme humaniza o eleitorado em uma era de generalizações abrangentes. Na sua forma panorâmica e pontos de vista díspares, 11/8/16 fornece um contraponto necessário, encontrando momentos de humanidade comum numa divisão aparentemente intransponível.
Herself
Petra Epperlein and Michael Tucker take a powerfully personal journey through the former East Germany, as Epperlein investigates her father’s 1999 suicide and the possibility that he may have worked as a spy for the dreaded Stasi security service.
Director
Petra Epperlein and Michael Tucker take a powerfully personal journey through the former East Germany, as Epperlein investigates her father’s 1999 suicide and the possibility that he may have worked as a spy for the dreaded Stasi security service.
Editor
FIGHTVILLE is about the art and sport of fighting: a microcosm of life, a physical manifestation of that other brutal contest called the American Dream...
Director
FIGHTVILLE is about the art and sport of fighting: a microcosm of life, a physical manifestation of that other brutal contest called the American Dream...
Editor
Michael Tucker and Petra Epperlein reveal the lives of post Iraq from a Congressional candidate in Buffalo to a cage fighter in Louisiana, set against the backdrop of the 2008 election. From Jon Powers's political fight for a congressional seat to Wilf Stuart's family struggling with his brother's combat deployment, this poignant piece offers a picture of both the hope and loss that remain after the fighting ends.
Producer
Michael Tucker and Petra Epperlein reveal the lives of post Iraq from a Congressional candidate in Buffalo to a cage fighter in Louisiana, set against the backdrop of the 2008 election. From Jon Powers's political fight for a congressional seat to Wilf Stuart's family struggling with his brother's combat deployment, this poignant piece offers a picture of both the hope and loss that remain after the fighting ends.
Director
Michael Tucker and Petra Epperlein reveal the lives of post Iraq from a Congressional candidate in Buffalo to a cage fighter in Louisiana, set against the backdrop of the 2008 election. From Jon Powers's political fight for a congressional seat to Wilf Stuart's family struggling with his brother's combat deployment, this poignant piece offers a picture of both the hope and loss that remain after the fighting ends.
Director
Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.
Editor
American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
Producer
American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
Director
American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.
