Screenplay
Miguel is a 14-year-old kid about to go back to a centre for minors. His mother, out of work and with an unstable personal life, is incapable of taking care of him. This is why Miguel lives in a state of constant urgency, doing the housework, selling Kleenex or stealing from supermarkets. All this ends when Social Services come for him again, and his mother makes him seek refuge in the house of Bogdan, a Rumanian ex-lover of hers who lives in a nearby town. At the same time, María, the owner of a bar, sympathizes with the boy and gives him the virtually maternal treatment that he does not get in his own home. However, everything is thrust forward when the mother suddenly disappears
Director
Miguel is a 14-year-old kid about to go back to a centre for minors. His mother, out of work and with an unstable personal life, is incapable of taking care of him. This is why Miguel lives in a state of constant urgency, doing the housework, selling Kleenex or stealing from supermarkets. All this ends when Social Services come for him again, and his mother makes him seek refuge in the house of Bogdan, a Rumanian ex-lover of hers who lives in a nearby town. At the same time, María, the owner of a bar, sympathizes with the boy and gives him the virtually maternal treatment that he does not get in his own home. However, everything is thrust forward when the mother suddenly disappears
Executive Producer
Miguel makes the journey that his grandfather cannot make because he is locked up by his own family. The mission is very simple, go to a funeral and leave an army jacket on the grave of an old man, a friend of his grandfather. Miguel, accompanied by Lola and Guillermo, leaves that island of cement that is the Nazareth neighborhood. He wanders the outskirts of Valencia, looking for a cemetery and faces a deserted city.
Writer
Miguel makes the journey that his grandfather cannot make because he is locked up by his own family. The mission is very simple, go to a funeral and leave an army jacket on the grave of an old man, a friend of his grandfather. Miguel, accompanied by Lola and Guillermo, leaves that island of cement that is the Nazareth neighborhood. He wanders the outskirts of Valencia, looking for a cemetery and faces a deserted city.
Director
Miguel makes the journey that his grandfather cannot make because he is locked up by his own family. The mission is very simple, go to a funeral and leave an army jacket on the grave of an old man, a friend of his grandfather. Miguel, accompanied by Lola and Guillermo, leaves that island of cement that is the Nazareth neighborhood. He wanders the outskirts of Valencia, looking for a cemetery and faces a deserted city.
Screenplay
After the death of his wife, Miguel decides to take a trip, postponed for many years, Argeles-sur-Mer, a small town in southern France, where thousands of refugees are concentrated for some time.
Director
After the death of his wife, Miguel decides to take a trip, postponed for many years, Argeles-sur-Mer, a small town in southern France, where thousands of refugees are concentrated for some time.
Writer
Greek Theo Angelopoulos traveling from Athens to Ostia, the Roman beach where Pasolini was killed. Far from there, in a Spanish train station, Víctor Erice wanders in an interview about the film resistance. And in Italy, Tonino Guerra, Ninetto Davoli and Nico Naldini lend his voice to the missing Passolini to close a historic triangle on film and solitude.
Director
Greek Theo Angelopoulos traveling from Athens to Ostia, the Roman beach where Pasolini was killed. Far from there, in a Spanish train station, Víctor Erice wanders in an interview about the film resistance. And in Italy, Tonino Guerra, Ninetto Davoli and Nico Naldini lend his voice to the missing Passolini to close a historic triangle on film and solitude.
