Director
We’re in no name suburbia. Harriet is 17, a misfit rich kid, star of her high school cross-country team, but currently, refusing to cross the finish line. She lies to her friends. She fakes suicide. It’s all a deflection – her only parent is on his deathbed and she can't say goodbye. Combine that with the looming reality that her acid-tongued half-sister will soon be her only family, this is one of those times in life when you decide who you are. Someone who faces up or someone who runs away. Then she finds a hair in her jello. Her best friend calls her a coward. A bird craps on her head. Something shifts.
Chloe
On the isle of Rhodes, Katherine, an expatriate English photographer, lives with her daughter. A young local wants to encourage tourism, so he commissions a sculpture of the Unknown Tourist for the town square; the sculptor he brings to Rhodes is Kate's ex-husband. Also there to see Kate is Sharp, an aging antiquarian and her dear friend. He has something important to tell her. As Kate, her ex, and Sharp sort out things that go back years, two English tourists bumble about, one thinking he's fallen in love with Kate, his wife thinking she's found her own lover. A rare vase, a spy, old friendships, the statue's unveiling, and off-hand English sorting-out play into the resolution.
Catherine
Quando a extraterrestre Friendship erra seu destino pretendido no MIT durante uma missão de paz à Terra, ela aterrissa inadvertidamente na Jordânia durante o Setembro Negro em 1970. Resgatada por um simpático correspondente de guerra britânico, eles começam uma série de conversas perspicazes.
