Eadweard Muybridge
Nascimento : 1830-04-08, Kingston upon Thames, Surrey, England, UK
Morte : 1904-05-07
História
Eadweard J. Muybridge (play /ˌɛdwərd ˈmaɪbrɪdʒ/; 9 de abril de 1830 – 8 de maio de 1904), nascido Edward James Muggeridge, foi um fotógrafo inglês conhecido por seus experimentos com o uso de múltiplas câmeras para captar o movimento, além de inventor do zoopraxiscópio, um dispositivo para projetar os retratos em movimento que seria o precursor da película de celulóide, usada ainda hoje.
Director
A patchwork of the first animated movies from the collections of La Cinémathèque française : Stroboscopic Discs (1833), Zoetropes (since 1867), Reynaud's Praxinoscope (1878-1879), plates of Muybridge and Anschütz (1880-1890), an unseen Marey's chronophotography (1889), Chromolithographs films (since 1897), including one inspired by the second Georges Méliès' film, "Une séance de prestidigitation" (1896), with a photographic version, unseen until now.
Himself (stock footage)
Thom Andersen's remarkable and sadly neglected hour-long documentary adroitly combines biography, history, film theory, and philosophical reflection. Muybridge's photographic studies of animal locomotion in the 1870s were a major forerunner of movies; even more interesting are his subsequent studies of diverse people, photographed against neutral backgrounds.
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16 photos in fast motion series showing a jockey and horse galloping. Plate 626 from Animal Locomotion, 1887.
Cinematography
Eadweard Muybridge photographs a capybara in motion.
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Eadweard Muybridge photographs a capybara in motion.
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A series of images of a nude model picking up a translucent skirt from the floor.
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This is plate 247 from the Animal Locomotion Series.
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A man walk downstairs, carrying a basket. From the Animal Locomotion series, plate no. 136.
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Plate 19 from the Animal Locomotion series.
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Plate 276 from Animal locomotion: an electro-photographic investigation of consecutive phases of animal movements.
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Plate 7 from the Animal Locomotion series shows a nude man running in a peculiar way.
Man with pickaxe
Animal Locomotion, Plate 521.
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This is plate 88 from Muybridge's Animal Locomotion.
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From a series of plate featuring men performing various wrestling moves. This one is plate 346.
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One of 781 collotypes (plate no. 348) which form Eadweard Muybridge's magnum opus, Animal locomotion, 1887.
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Plate 382 from the Animal Locomotion series.
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A man walking is the first plate (Plate no 1) in Muybridge's Animal Locomotion series from 1887. It shows a naked man walking.
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Nude man throwing a ball. Collotype by Eadweard Muybridge, 1887. Plate 273.
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Animal Locomotion, Plate 521.
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A man bearing load on shoulder. Photogravure after Eadweard Muybridge, 1887. Plate 31.
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Nude man playing cricket, batting and back cut (Animal Locomotion, plate 293) Eadweard Muybridge, 1887.
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Nude man serving tennis. Plate 294.
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Nude man rowing, Muybridge's Plate no. 327.
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A series of photographs picturing an elephant walking.
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Plate 762 from Eadweard J. Muybridge’s Animal Locomotion (1884-86)
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This series of photographs depict two nude models: a woman and a young child, as the woman picks up the child.
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Individual photographs of a cat trotting then changing to a gallop shown in quick succession.
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A lioness walks.
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Chickens are scared of a torpedo.
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A woman walks downstairs.
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A series of images by Eadweard Muybridge, featuring a nude model turning and walking upstairs.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048764.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048769.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048676.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048677.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048680.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048656.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048632.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048739.
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A chronophotograph by Eadweard Muybridge. Wellcome V0048745.
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A chronophotograph by Eadweard Muybridge. Photogravure a Wellcome V0048663.
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Eadweard Muybridge photographs a dog running from two different angles: one from the side, one from the back.
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A series of images photographed by Eadweard Muybridge, featuring a goat walking.
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A study of locomotion in an ostrich.
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A series of photographs of a man in a suit taking a hat off his head.
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Eadweard Muybridge's nude female model is depicted in a series of images, detailing her bending over and pouring water from a jug.
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A nude model poses for a series of photographs, which depict her setting down a jug on the floor.
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A semi-nude female model crosses a creek on stepping stones, in one hand a fishing pole; in the other a basket.
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A film experiment featuring one of Eadweard Muybridge's nude female models getting into a bed.
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A detailed human locomotion study of photos, showing a woman opening a parasol.
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A nude model wearing a see-through skirt jumping from one rock another other rock. It begins on a frontal view and ends on a side view.
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Eadweard Muybridge's nude female model sits down in a chair in a series of photographs taken to study the human locomotion.
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Earliest moving images of social dancing, depicting a clothed man and woman waltzing, two nude women waltzing, and a single nude woman waltzing.
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Two separate series of photographs, (one taken from the front, the other from the back) showing a nude woman jumping up and down on one foot.
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A brief series photography by Eadweard Muybridge featuring two boys playing leapfrog.
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A series of photographs depicting a male lion walking, shot by Eadweard Muybridge.
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A woman throws herself on a heap of hay.
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A woman walks as she throws on a shawl.
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A series of photographic images by photographer Eadweard Muybridge, showing a nude woman picking up a baseball and throwing it.
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Eadweard Muybridge's motion photography film depicts a child bringing a bouquet of flowers to a topless woman who kisses his cheek.
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Animal Locomotion Plate 298.
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Individual photographs of the running of a buffalo shot in rapid succession.
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Two women shake hands and kiss. The first ever moving image of a kiss was not filmed, but instead consists of individual photographs shot by Eadweard Muybridge in rapid succession, making a moving picture when using Muybridge's zoopraxiscope.
Cinematography
Skeleton of horse, running, leaving the ground, 1881.
Director
Skeleton of horse, running, leaving the ground, 1881.
Director
Nesta breve sequência fotográfica, o próprio Eadweard Muybridge se apresenta nu e fica martelando como mineiro, em 18 fotografias diferentes.
Ele mesmo
Nesta breve sequência fotográfica, o próprio Eadweard Muybridge se apresenta nu e fica martelando como mineiro, em 18 fotografias diferentes.
Director
O clipe mostra um jóquei, Domm, montando um cavalo, Sally Gardner. O clipe não é filmado, mas consiste em 24 fotografias individuais filmadas em sucessão rápida, fazendo uma imagem em movimento ao usar um Zoopraxiscópio.
