Kim Hyun-seok
História
KIM Hyun-seok is a new cinematographer who is praised for capturing sadness so beautiful as to be frightening in just two films, Poetry(2010) and A Brand New Life(2009). That Poetry is the most recent film by [LEE Chang-dong] and A Brand New Life by [Ounie Lecomte] was produced by LEE are the commonality that ties him to the two films. KIM is credited for successfully condensing beauty and violence in both of the films. While a directors directing drives the making of a film, KIMs camera shows a restrained gaze at the characters at an optimal distance, leaving an impression that cannot be easily passed over. The cool blue light that filled up the frames of Poetry and the afterglow left behind indifferently by his camerawork in A Brand New Life make KIMs upcoming images that much more anticipated.
Director of Photography
Presa em uma vida de opressão com seu marido coreano, uma mulher chinesa parte em uma emocionante aventura com uma misteriosa garota de cabelos verdes, encontrando sua chance de finalmente libertar-se e reivindicar sua independência.
Cinematography
Set in the near future, SF8 tells the story of people who dream of a perfect society through technological advancements. This project is a Korean original sci-fi anthology series about an array of subjects including artificial intelligence (AI), augmented reality (AR), virtual reality (VR), robots, gaming, fantasy, horror, superpowers, and disasters.
Director of Photography
In a small South Korean village, while investigating the death of two people in strange circumstances, a grumpy policeman will live an overwhelming experience beyond the reality he has known so far.
Director of Photography
KIM-GUN searches for the whereabouts of a young man whose identity has sparked a national controversy over the 1980 May 18 Gwangju Uprising. Starting with the vague memories of those who had crossed paths with him during that time, the film tracks down those who participated in the Uprising as “Citizen Soldiers.” It also traces KIM’s final steps, based on photographic clues found in the firearms he carried and the “Surveillance Truck No. 10” in which he rode. By identifying KIM-GUN, we believe that we can find valuable leads to resolving the ongoing controversy over May 18. Why did a nameless young man join the Uprising? Why did he take up arms? Where has he gone afterwards? It is the answers to these questions that the film seeks.
Director of Photography
O casal Liyun e Yaojun, trabalhadores de uma fábrica, vivem uma tragédia familiar devastadora nos tumultuosos anos entre a década de 1980 e o século XXI. Reprimidos pela lei nacional do filho único, suas vidas se transformam gradualmente sob o impacto da mudança de identidade na China.
Director of Photography
During the Joseon Dynasty, lowborn Chae-sun challenges the rule that states only men allowed to sing while navigating devotion to her teacher and the demands of the king's father.
Director of Photography
Min-ha is full of vitality. Ki-cheol lives in the greenhouse built by her. They've lived together for almost three years. One day Ji-hye bumps in between them.
Director of Photography
Sent from Seoul to serve in a remote coastal village, a policewoman gets involved in the life of a mysterious teenage girl who is abused by both her father and her grandmother.
Director of Photography
Mija, de 66 anos, solitária e batalhadora, descobre estar sofrendo de Alzheimer e toma conhecimento de um crime cometido por um membro de sua família. Ela tentará encontrar forças entrando para um curso de poesia.
Director of Photography
Jin-hee, tem nove anos e é levada pelo pai para um orfanato de freiras católicas na Seul de 1975. Ela resiste o quanto pode, sem acreditar que o pai que tanto ama vai abandoná-la. Lá as crianças esperam pela adoção e pelo começo de uma nova vida. Jin-hee, se adapta aos poucos e faz amizade com Sook-hee, de 12 anos, com quem aprende diversas brincadeiras. Apegada ao ambiente do orfanato, e com esperança de que seu pai volte para pegá-la, a menina faz de tudo para evitar a adoção, e assim não ter que enfrentar outra separação.
