Chieko Murata

Famous detective Kindaichi solves a series of mysterious murders in a wealthy family. An excellent blend of intrigue and betrayal, set against the backdrop of wealth, this film is loaded with twists and turns and surprises at every corner.

Jiro é um jovem confuso criado em um bordel situado próximo a uma base americana. Ao cometer um crime planejado com seus comparsas em uma rua sombria no bairro de Akishima, ele tem que conviver com a culpa do homicídio, com a dor da impotência diante do amor crescente de Shizue e um desejo devastador de quebrar todas as regras permitidas pela sociedade. A violência e a vulgaridade serão suficientes para acalmar o seu ego?

Japanese comedy film.

Japanese comedy directed by Noriaki Yuasa.

A story full of youthful vigor and spirit as high school students try to work out their problems, realize the awakening of love and growing maturity and find fun and happiness in helping others.

In 1963, Funaki Kazuo's debut song of the same name was released and then it was adapted to a movie based on Kenji Tomishima 's novel “Shake to Tomorrow” with the same title, produced by Daiei with this song as a motif. Singer and actor Funaki Kazuo also appears in the movie, which depicts the fun, love and heartbreak in a Japanese school.

Depois de três anos de estudo, Takezo transformou-se em um samurai bem-educado, e tomou um novo nome - Miyamoto Musashi. Apesar de seu amor por Otsu, ele sai para continuar a seu treinamento, desafiando os espadachins da Yoshioka Dojo e lanceiros do templo Hozo'in.

Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke, discovers that, while his body is decaying, his libido still rages on -- unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past. Pitiful and ridiculous as he is, Utsugi is without a trace of self-pity, and his diary shines with self-effacing good humor.

A fishing village is terrorized by a giant whale, and the fishermen are determined to kill it.

Japanese "kayo" film centered around the song "Eriko" by Yukio Hashi.

1962 Japanese movie

Obscure Masamura film shot in 1961

A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman but as a complete person.

Features a haunted well with yet another blind masseur's vengeful ghost.

Shikiko Oba is nimble with her fingers and teaches dressmaking and designing. Among her pupils are Rinko, Katsumi and Tomie. Ginshiro, who is as shrewd as the shrewdest of the older generation of dyed-in-the-wool Osaka businessmen, steps into picture and Shikiko soon feels that he is indispensable to her. But the advent of a man in their midst breaks up the harmony that has existed among the four women, as gradually he forces himself on them with promises of love.

Yukio, a farm boy, and Toru, a fisherboy, live in a small Japanese village that is periodically threatened by a volcano on one side and tidal waves on the other. Yukio's younger sister Setsu follows then and dreams of becoming a pearl diver. Toru is preparing to go fishing with his father when a bell tolls and a danger flag is hung high on the hill behind the village to warn of an impending tidal wave by the village patriarch, known as Old Gentleman.

Follows the murder of a money-lending masseur by an impoverished samurai. The slain masseur's daughter will also fall victim to his curse, so that she can become empowered as an agent of her father's vengeance.

The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. The last story is about a widowed geisha who has no real financial worries and who falls in love with a forger.

In one of Japan's most frequently-told ghost stories, a murdered wife returns in an act of vengeance.

1959 adaptation of Junichiro Tanizaki's novel.

The story follows Oshino, a geisha who is trying to start a new life with a lover who is a painter. However, her past filled with debts and pimps catches up to her.

When a nobleman finds a woman to be an obstacle to his growing political influence, he kills her and her cat and has their bodies immured in a wall. Shortly afterwards, a catlike demon begins to haunt the castle.

Suzunosuke faces perhaps his wildest foes. This evil gang is lead by a one-eyed birdman and other demonic creatures.

The story revolves around a young man appointed to rescue a troubled hospital who must choose between two women, a dedicated nurse or a spoiled rich girl.

A woman struggles to raise her young son on her own in postwar Japan, finding companionship with a kind laborer while still hoping for the return of her missing husband.

Adaptation of the Yukio Mishima novel.

An exciting film about thugs, in which murders and drugs, justice and resentment explode in the dark city of Tokyo with the help of guns and violence.

China, século XVIII. O último Imperador da dinastia T’ang faz o luto pela morte da mulher. A família Yang quer arranjar-lhe uma nova consorte, assim consolidando a influência na corte. O general Na Lushan encontra uma parente afastada a trabalhar na cozinha, a quem é proposto ser apresentada ao Imperador, recriando a imagem da primeira mulher dele. O Imperador apaixona-se por ela, entretanto instruída e ornamentada para ser sua concubina, e ela torna-se a Princesa Yang Kwei-Fei.

A Girl isn't Allowed to Love is a 1955 Japanese film directed by Teinosuke Kinugasa.

A kabuki actress is murdered. Her pet cat laps its mistress's blood and becomes a demon possessed by the vengeful murder victim.

Based on the original work of Akutagawa Prize-winning writer Ashihei Hino, the film depicts the love of the proud geisha Nobukichi Hakata in the early Taisho era.

Adaptation of the novel by Masao Kume.

Michiko Asakura was married to the eldest son of the Sakuma family, an unsealed family in Shinshu, but died from her husband and returned to her parents' house in Tokyo with her five-year-old daughter Yoshiko.

The story of Kiyoko, a young woman who has successfully managed to make a break with her dysfunctional family who have been trying to arrange a marriage for her with a disagreeable man whom she has rejected.

Asako works in a hostel for troubled young women. When a beautiful young girl is brought in one day after committing theft, Asako finds out from the older widow she works with that the new girl is undoubtedly her half-sister. When the younger sister suddenly flees on account of a misunderstanding, Asako makes up her mind to find the mother who deserted them both.

Clothes of Deception initiated Yoshimura’s most characteristic vein. This geisha story is often described as a loose remake of Mizoguchi’s pre-war masterpiece Sisters of Gion (1936), but this is inexact. Whereas in Mizoguchi’s study of two sisters, both women had been geisha, in Yoshimura’s film only Kimicho (Kyo Machiko) is, while her sister works in the Kyoto tourist office. Juxtaposing a traditional Kyoto profession with a modern one, Yoshimura shows how life in the old capital was changing in the wake of wider transformations in Japanese society.

Life and love in corrupt postwar Tokyo, as a young couple struggles against both the law and the mob.

Tokiko is a mother patiently waiting for her husband's return from the war when her 4-year old son becomes ill. She takes him to the doctor for treatment but has no way of paying. She resorts to prostitution. One month later her husband returns from WWII to find his desperate wife, who tells him the truth. Together they must deal with the consequences.

After Japan's loss in the war, the wealthy, cultured, liberal Anjo family have to give up their mansion and their way of life. They hold one last ball at the house before leaving. The seemingly cold, cynical son secretly grieves for his defeated father and the values that the war destroyed, while the daughter tries to prevent father from taking his life and to find her own place in the new Japan.

The film is set during the days of the scarcity of food after World War II, during which five men ate an elephant that died in a zoo. The elephant's corpse however, was infested with deadly bacteria and the men have only 30 hours left to live...

It is 1921 and a town has a newspaper which prints urgent bulletins as required. The Washington-based CITES treaty, in which Japan participates, puts a limit on the number of warships any country can possess. As a result, Japan has to decommission a ship to its makers' disappointment. An institute of technology's laboratory designs a new ship. Due to less ships, sailors have to retire and are also disappointed. The laboratory's manager and an admiral are visiting a patient at a hospital and meet coincidentally. The former has a daughter who worries about her father's workload. She asks him to accompany her to a concert. Father has little time, but is convinced for her sake. He is inspired for a ship's design at the performance. The film is inspired by the life of Jo Hiraga.

Story of Jiro

Family of Love

Kanji is a poor peasant widower who struggles to earn a living for his daughter and himself and to pay off his father-in-law's debts.

The vassals of the Asano clan, who surrendered the castle & became wanderers, deceive the enemy and the public, wait for an opportunity to avenge their master and his family.

A 1937 Japanese language film directed by Tomu Uchida, starring Ryo Akaboshi, Mitsuru Date and Hisao Furutani.