Ghasem Ebrahimian

Filmes

Land of Dreams
Director of Photography
Simin is an Iranian woman on a journey to discover what it means to be a free American. She works for the Census Bureau which, in an effort to control its citizens, has begun a program to record their dreams. Unaware of this devious plot, Simin is torn between her compassion for those whose dreams she is recording and a truth she must find within.
The Colony
Director of Photography
The Colony, which shares the screen and the character of Shirin Neshat's Land of Dreams, is about an immense research institute devoted to recording and archiving the dreams of the local population.
The Carnival is Over
Director of Photography
Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."
Cinema of Fire: Iranian Cinema
Director
A profile of the Iranian film industry
Fervor
Cinematography
Two-channel video installation by Shirin Neshat
Turbulent
Editor
On one wall, a singer delivers a passionate love song to a group of men. He is faced away from his audience, secure that his performance will be accepted and adored. On the opposite wall, a woman in a black chador stands silently throughout his song. Then something stunning happens…
Turbulent
Director of Photography
On one wall, a singer delivers a passionate love song to a group of men. He is faced away from his audience, secure that his performance will be accepted and adored. On the opposite wall, a woman in a black chador stands silently throughout his song. Then something stunning happens…
Turbulent
Producer
On one wall, a singer delivers a passionate love song to a group of men. He is faced away from his audience, secure that his performance will be accepted and adored. On the opposite wall, a woman in a black chador stands silently throughout his song. Then something stunning happens…
The Suitors
Director
Iranian businessman Haji returns to Manhattan with his new bride, Mariyam. Haji's friends plan a feast to celebrate the marriage in the traditional style, which includes a slaughtered lamb. Lamb's blood from the messy ritual dripping into the apartment below causes a suspicious neighbor to call the police. When Haji is killed in the ensuing police intervention, the widow Mariyam is wooed by Haji's friends. Sensing Mariyam's reluctance, Mohammed acts quickly to propose marriage with tragi-comedic consequences.