Patrik Děrgel

In ancient times, our land was ruled by pagan gods and goddesses. But what happens when they start getting involved in people's lives and vice versa? Will Morena, the goddess of winter, win, or will she be defeated by the goddesses of spring, summer and autumn?

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

When his family moves to the city of Zlín and 16-year-old David joins a new hockey team, the Wolves, he is determined to succeed. There’s, however, the other goalie, Miky – and his position seems unshakeable. The team doesn’t welcome David with open arms either. Captain Jerry and his gang do as they please, while the team follows the ‘law of the pack’. David has been weakened by his recently discovered diabetes, and that is not tolerated here. He is still coming to terms with his body, learning to estimate the insulin doses his life depends on. On the team, David is the outsider, bracing the avalanche of bullying that gradually gains speed.

A história é livremente inspirada pela vida e obra de Jan Saudek, que é provavelmente o mais internacionalmente conhecido fotógrafo checo e tem inquestionavelmente estado envolvido no desenvolvimento da fotografia internacional. Ele expôs e vendeu o seu trabalho nas maiores galerias e casas de arte, ele ganhou reconhecimento internacional e prémios, ele goza de grande popularidade e interesse - ele é um verdadeiro fenómeno.

Luisa and Erika are prototypes of young women who plunge into relationships with the "wrong" men. Luisa wants to become an actress, which upsets her husband Igor to no end. Erika is trying to work as much as possible so that she can afford to study and thereby achieve a better outlook on life, but she unfortunately runs up against a boss who doesn't have the best intentions with her. Ultimately Luisa's husband demonstratively commits suicide. Erika accidentally kills her boss in self-defense... The women blame themselves for all these failures, and that has got to change. Both have to grow up and start living again. Perhaps even together.

Prague, 1983. The communist regime, in a suffocating atmosphere ruled over by the secret police, imposes "normalization". Miki and David need some kind of motivation to carry on in the communist wasteland. They discover The Clash's album 'London Calling' and, of course, decide to set up a punk band. But playing punk during normalization in Czechoslovakia isn't the best idea, an opinion shared not only by their horrified parents. Many decisions made under the influence of cheap alcohol and compulsive music could be more fatal than they initially seemed. A story about the revolt of some 18-year-olds against authority, against social norms, against adult duties and responsibility. It is about the search for one's own models and values. Although based on personal experiences from the early 1980s, it could have taken place at any time and anywhere, and is more than likely taking place somewhere right now.