Antonio Caldeira Pires

Filmes

Errar a Noite
Paulo works in a bar and when his shift is over he wonders through the Lisbon night. Between a romantic and desolate tone, Flávio Gonçalves films in the poetry of the night. A poetry made of encounters, ferocious lights and bodies that love and fear.
Uma Vida Normal
Doctor
Miguel tem 40 anos e os problemas de costume. Talvez um pouco mais do que o de costume. Está separado da mulher e envolvido com uma amante que só lhe dá trabalho. Não tem tempo para estar com o filho. Está cheio de problemas no emprego e com a conta bancária no vermelho. Bebe demais. Fuma vários maços por dia. Toma comprimidos para dormir, e outros para acordar. E o corpo começa a reagir mal a uma vida de abusos. Em resumo, a sua vida está indo água abaixo. Mas, num último assomo de energia, decide mudar. No fundo, pensa ele, tudo o que quer é uma vida normal. Infelizmente, não há nada mais difícil no mundo.
1871
Prosecutor
A young actress becomes politically aware within the Paris Commune of 1871.
Mensagem
Based on the work by Fernando Pessoa - a "message" about the destinies of Portugal - not just in isolation but looking at them as precursors and announcers of the fate of the entire planet.
Le Soulier de Satin
Soldats
During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.
Fürchte dich nicht, Jakob!
Polizist
Francisca
José de Melo
The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.
O Construtor de Anjos
Gothic film in a monastery, where sensual monks murder the children they receive, with images of fantastic, painted from the author own painting and also from the Hammer films and the Saxon plastic tradition of romanticism.