Producer
Richard Fontaine and Bob Miser started the current exploration of the male nude in film and photography. The two shared ideas props and models and reinvented some of the sexual icons that we all still recognise today. The gladiator the sailor, the cowboy… Starting with posing-straps and graduating to nudes their "art studies" enlisted the talents of up-and-coming actors and bodybuilders. This film recalls that era.
Bart
Football star quarterback Randy Davis' sexual escapades in Washington DC.
Producer
Bizarre, salacious story about a former fat singer getting herself killed by a host of possible candidates. It seems that Rachel has a thing for younger men including her own son. A terrible actor poses as a policeman and we hear various characters go through their whereabouts at the time of Rachel's demise as well going into detail about their relationships with her with him brooding over what they say.
Director
Bizarre, salacious story about a former fat singer getting herself killed by a host of possible candidates. It seems that Rachel has a thing for younger men including her own son. A terrible actor poses as a policeman and we hear various characters go through their whereabouts at the time of Rachel's demise as well going into detail about their relationships with her with him brooding over what they say.
Director
A sweet and almost theatrical story of an elderly tailor (Lester) reminiscing about youth before his own death. A pompous director calls Lester in to get a suit made, is he up to the task? Also, will the most important film of the directors life starring the most beautiful man in the world be made?
Director
On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.
Director
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
Director
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
Director
One of the earliest posing-pouch films to feature sound.
