Martín Rejtman
Nascimento : 1961-01-03, Buenos Aires, Argentina
História
Martín Rejtman (born 1961 in Buenos Aires) is an award-winning Argentine film producer, film director, and screenplay writer.
Rejtman studied filmmaking at New York University, where he had to make one short per week and had to shoot with what was available. At NYU he established a mode of production embraced by many other young Argentine filmmakers, both before and since: that is, the art of working with a small budget. Rejtman uses a minimalist style when making films. He said, "When I made Rapado, I felt that Argentine cinema had too much dialogue, and bad dialogue at that. I hate adornments, I hate artifice, I hate anything that's unnecessary, because there really is nothing beyond the screen.
Director
In Argentina, the majority of delivery drivers working for local UberEats clone apps are Venezuelans who have fled the crisis ravaging their country. Filmed during the pandemic in Buenos Aires, Caracas and Colonia Tovar, Riders forcefully immerses us in the gruelling daily lives of those exploited by the platform economy at both ends of South America.
Writer
In Argentina, the majority of delivery drivers working for local UberEats clone apps are Venezuelans who have fled the crisis ravaging their country. Filmed during the pandemic in Buenos Aires, Caracas and Colonia Tovar, Riders forcefully immerses us in the gruelling daily lives of those exploited by the platform economy at both ends of South America.
Writer
Gustavo, an Argentinean living in Chile, loses harmony in his life when he is left without a wife, without a house and an injury prevents him from continuing with his work, the yoga classes. Looking for an excuse not to return to his country, he will meet absurd characters and situations: a German woman with no memory, an indiscreet mother, a primitive man, the possibility of a new love. Between tremors, robberies, hospitals, motorcycles, couple therapy, yoga retreats, anti-inflammatories and antidepressants, Gustavo will have to avoid the fall.
Director
Gustavo, an Argentinean living in Chile, loses harmony in his life when he is left without a wife, without a house and an injury prevents him from continuing with his work, the yoga classes. Looking for an excuse not to return to his country, he will meet absurd characters and situations: a German woman with no memory, an indiscreet mother, a primitive man, the possibility of a new love. Between tremors, robberies, hospitals, motorcycles, couple therapy, yoga retreats, anti-inflammatories and antidepressants, Gustavo will have to avoid the fall.
Producer
Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.
Screenplay
Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.
Director
Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.
Self
With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.
Writer
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
Director
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
Writer
Stanislavski has nothing on Sergio, who leads experimental acting workshops for the grade school set. This comedy will forever change the way you look at child actors.
Director
Stanislavski has nothing on Sergio, who leads experimental acting workshops for the grade school set. This comedy will forever change the way you look at child actors.
Director
The Bolivian community settled in Argentina celebrates over two consecutive Sundays in October the festival of their patron saint: Our Lady of Copacabana. Music and dance groups arrive from all over the country and meet in the Charrúa quarter in Buenos Aires. This celebration is the most important event for Bolivian immigrants and goes beyond folklore and religion to become a vibrant meeting place and bring about the cultural cohesion of traditions deeply-rooted in the collective memory of a people.
Producer
This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.
Writer
This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.
Director
This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.
Producer
Federico León crosses the path of the cinema to tell in Everything together the endless, torn struggles of a couple that never stops separating. Chronicle of a great film debut
Producer
After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.
Writer
After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.
Director
After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.
Producer
After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.
Writer
After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.
Director
After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.
Director
An early black-and-white mood piece, Rejtman’s lyrical short film fuses a young couple’s passage into early adulthood with a journey through Buenos Aires in the quietest moments at the very break of day.
