Aida Begić
Nascimento : 1976-05-09, Sarajevo, Bosnia and Herzegovina, Yugoslavia (now Sarajevo, Bosnia and Herzegovina)
História
She graduated in Film and Theater Directing from the Academy of Performing Arts in Sarajevo in 2000. Her graduation film "The First Death Experience" has been screened at more than twenty international film festivals. This film participated in the 54th Cannes Film Festival – Official Cinefondation Selection and later received five awards: Best Short Film – 6th Ourense Film Festival, Spain, 2002; Critics' Award – 30th Huesca Film Festival, Spain, 2002; Methexis Award – MedFilm Festival, Italy, 2002; Special Jury Mention – 9th Archipelago New Media Film Festival and Short Film, Italy, 2001. Aida Begić is an assistant professor in directing (Prof. Haris Pašović) at the Academy of Performing Arts in Sarajevo. She made a number of commercials, videos and promotional films. In 2004, she and Elma Tataragic founded the production company MAMAFILM.
Producer
Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.
Writer
Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.
Director
Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.
Writer
This is a story about pain, search for meaning in life and friendship of orphaned. Syrian boys - Isa, Ahmed and Muataz - who live a difficult life as refugees in the magical, mythical Turkish city of Sanliurfa. In their search for recovery from traumatic past, the children will cross the path from destructiveness and hostility to meaningfulness and love. By finding friends in each other, the boys will find their inner peace.
Director
This is a story about pain, search for meaning in life and friendship of orphaned. Syrian boys - Isa, Ahmed and Muataz - who live a difficult life as refugees in the magical, mythical Turkish city of Sanliurfa. In their search for recovery from traumatic past, the children will cross the path from destructiveness and hostility to meaningfulness and love. By finding friends in each other, the boys will find their inner peace.
Director
Treze cineastas europeus pensam Sarajevo, e o que a cidade representou para a história europeia dos últimos cem anos, desde o início da Primeira Guerra Mundial. Todos eles realizadores proeminentes, de diferentes origens e gerações, oferecem estilos e visões excepcionalmente singulares sobre a cidade, o velho continente, os fantasmas do passado e o seu reflexo no presente.
Producer
Rahima, 23 anos, e o irmão Nedim, 14 anos, são órfãos da guerra da Bósnia. Moram em Sarajevo, numa sociedade transitória que perdeu toda a compaixão pelos filhos dos que morreram durante o cerco à cidade. Após uma adolescência delinquente, Rahima encontrou um reconforto no Islão e espera que o irmão siga os seus passos. A vida deles complica-se quando, na escola, Nedim luta violentamente com o filho de um poderoso ministro do país.
Writer
Rahima, 23 anos, e o irmão Nedim, 14 anos, são órfãos da guerra da Bósnia. Moram em Sarajevo, numa sociedade transitória que perdeu toda a compaixão pelos filhos dos que morreram durante o cerco à cidade. Após uma adolescência delinquente, Rahima encontrou um reconforto no Islão e espera que o irmão siga os seus passos. A vida deles complica-se quando, na escola, Nedim luta violentamente com o filho de um poderoso ministro do país.
Director
Rahima, 23 anos, e o irmão Nedim, 14 anos, são órfãos da guerra da Bósnia. Moram em Sarajevo, numa sociedade transitória que perdeu toda a compaixão pelos filhos dos que morreram durante o cerco à cidade. Após uma adolescência delinquente, Rahima encontrou um reconforto no Islão e espera que o irmão siga os seus passos. A vida deles complica-se quando, na escola, Nedim luta violentamente com o filho de um poderoso ministro do país.
Writer
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
Idea
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
Director
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
Writer
Selma, an eighteen years old girl is murdered during a football game. Her dead body is being past form hand to hand. Everyone who cames in touch with her dead body thinks that he/she murdered Selma. In the meanwhile, at home, Selma’s Mother is finishing her Prom Dress…
Director
Selma, an eighteen years old girl is murdered during a football game. Her dead body is being past form hand to hand. Everyone who cames in touch with her dead body thinks that he/she murdered Selma. In the meanwhile, at home, Selma’s Mother is finishing her Prom Dress…
Writer
Dado Bratovic is comic-strip artist from Sarajevo. In 1996, after the war, he goes to get his ID card issued and finds out that he was reported dead just after the war started in 1992. Now he has to prove that he is alive.
Director
Dado Bratovic is comic-strip artist from Sarajevo. In 1996, after the war, he goes to get his ID card issued and finds out that he was reported dead just after the war started in 1992. Now he has to prove that he is alive.
